Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Burns, Lori |
Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus |
2019 |
The Bloomsbury Handbook to Popular Music Video Analysis |
|
183-200 |
| Bujalka, Eva |
KVLTER than thou: ‘True (Norwegian) black metal’ and the satanic politics of Bataillean ‘authenticity’ |
2019 |
Popular Music; Cambridge |
38 |
518-537 |
| Brown, Andy R., Niall W. R. |
From class disgust to indie art-house accolades and fan celebrity: the strange cultural journey of ”Heavy Metal Parking Lot” |
2019 |
Heavy metal at the movies |
|
|
| Boyarin, Shamma; Saguar García, Amaranta; Christensen, Annika; Swinford, Dean |
The Politics and Poetics of Metal’s Medieval Pasts |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
71-80 |
| Boyarin, Shamma |
The New Metal Medievalism: Alexander the Great, Islamic historiography and Nile’s ”Iskander Dhul Kharnon” |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
81-92 |
| Borovcanin, Sasa; Patterson, Dayal |
Skogen: zine anthology 1993-1996 |
2019 |
|
|
|
| Bolay, Jordan |
‘Their song was partial; but the harmony […] suspended hell’: Intertextuality, voice and gender in Milton/Symphony X’s Paradise Lost |
2019 |
Metal Music Studies |
5 |
5-20 |
| Bocheński, Tomasz P. |
Was verliert man \textbar mit dem Augenschlag? Między poezją a kontynuantami hard rocka: przypadek Tilla Lindemanna i zespołu Rammstein |
2019 |
Kultura rocka 1. Twórcy, tematy, motywy |
|
301-316 |
| Blázquez Cruz, Laura; Buil Tercero, Pedro |
Estrategias publicitarias en el discurso literario y audiovisual. Persuasión y performatividad idílica a través de la metáfora. El caso de «Silvera» (Gojira) |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
215-242 |
| Biliński, Pawel |
Rockin mock! Parodystyczne komponenty Oto Spinal Tap Roba Reinera |
2019 |
Kultura rocka 1. Twórcy, tematy, motywy |
|
265-274 |
