Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Migeon-Lambert, Camille |
Stéréotypes néo-romantiques de l'artiste Metal : le cas Lindemann |
2021 |
Identités de l'artiste – Pratiques, représentations, valeurs |
|
63-82 |
| Migeon-Lambert, Camile |
Translations, adaptations, quotations from Baudelaire’s poetry into metal music: an anti-alchemy? |
2020 |
Punctum. International Journal of Semiotics |
6 |
221-242 |
| Michalewicz, Aleks |
Gods amongst us/gods within: the black metal aesthetic |
2007 |
Super/heroes: From Hercules to Superman |
|
211-222, 385-388 |
| Messick, Kyle J. |
Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues |
2021 |
The Societal Impacts of Covid-19: A Transnational Perspective |
|
93-108 |
| Messick, Kyle J. |
The Psychology of Metal Music, Culture, and Dis/ability |
2024 |
Heavy Metal and Disability. Crips, Crowds, and Cacophonies |
|
66-79 |
| Mendoza, Boris |
El underground Boliviano de los Andes y su resonancia identitaria en la política pública de del siglo XXI |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
33-56 |
| Mendoza Negrete, Jesús Erbey |
“Puro chuqui”: una interpretación postcolonial de la propuesta musical de Nunca Jamás |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
99-105 |
| Medina, Javier S. |
Leather, spikes, and chains. The influenec of gay culture in punk, hard rock, and heavy metal music |
2017 |
|
|
|
| McLaughlin, Adria Ryan |
Navigating Gender Inequality in Musical Subgenres |
2015 |
|
|
52 |
| McFerran, Katrina |
Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence |
2014 |
International Journal of Community Music |
7 |
205-222 |
