| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
McDowell, Michael A., II |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
2016 |
|
|
80 |
|
|
|
Mauree, Sam |
Acteurs de la scène metal et institutions culturelles |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
57-84 |
|
|
|
Mattson, Douglas |
Att välja blasfemi. Blasfemisk identitet i turkisk svartmetal [Choosing blasphemy. Blasphemous identity in Turkish black metal] |
2022 |
Blasfemi, heresi, kätteri, apostasi |
|
119-131 |
|
|
|
Martínez, Susana González |
Enseñar a transgredir: Metal feminista, a través de la investigación-acción participativa, como herramienta artística de liberación y pedagógica en el aula |
2023 |
|
|
528 |
|
|
|
Martínez Garcia, Sílvia |
La production de genres : analyses depuis les périphéries du heavy metal |
2006 |
Volume! La revue des musiques populaires |
5 |
91-113 |
|
|
|
Marstal, Henrik |
Mercyful Fate's “Don't Break the Oath” |
2021 |
|
|
|
|
|
|
Marjenin, Peter A. |
The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani |
2014 |
|
|
|
|
|
|
Makkonen, Markus; Strömsholm, Kim |
Rotting Ways to Misery: The History of Finnish Death Metal (U.S. Edition) |
2022 |
|
|
364 |
|
|
|
Mailén Padilla, Ludmila |
Crear es resistir resistir es crear. |
2022 |
Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras |
1 |
34-35 |
|
|
|
Lukes, Daniel; Panayotov, Stanimir (eds) |
Black Metal Rainbows |
2021 |
|
|
400 |
|
