Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Lind, Tore' Tvarno |
Heart of Sadness: Fieldwork in the Copenhagen Black Metal Undergrounds |
2021 |
Living Metal: Metal Scenes around the World |
|
|
| Limber, Franco |
Raza y metal en la nación aymara |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
243-250 |
| LeVine, Mark |
We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World |
2022 |
|
|
|
| Lesourd, Élodie; Guesde, Catherine; Guibert, Gérôme |
Élodie Lesourd, Black metal et art contemporain : pour une migration des symboles |
2019 |
Volume! La revue des musiques populaires |
15:2 |
71-89 |
| Legard, Phil |
Inner-sense and experience. Drone music, esotericism, and the hierdeictic field |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
42-59 |
| Le Vine, Mark |
“We Play Heavy Metal because Our Lives Are Heavy Metal”: A Generation of Metal in the Middle East and North Africa |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
115-136 |
| Larsson, Susanna |
“I Bang my Head, Therefore I Am”: Constructing Individual and Social Authenticity in the Heavy Metal Subculture |
2013 |
Young |
21 |
95-110 |
| Landes, Nathan |
“That’s Not Heavy Metal”: Egalitarianism, Elitism, and Winning Arguments in Three Metal Music Studies Canons |
|
|
|
|
| Lake, Daniel |
USBM: A Revolution of Identity in American Black Metal |
2020 |
|
|
|
| Lajić Mihajlović, Danka; Radovanović, Bojana |
Black (metal) epics: Remediation of tradition in the case of Gavranovi from Serbia |
2022 |
Metal Music Studies |
8 |
225-243 |
