Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Trafford, Simon |
Amon Amarth Make Mead! Alcohol consumption, masculinity, and the modern Viking |
2021 |
Middle Ages without borders: A conversation on Medievalism |
|
|
| Tontsch, Katharina |
Reign in Blood Beauty: Eine empirische Studie zum Schönheitsideal im Heavy Metal |
2021 |
|
|
|
| Thomson, Andrew; Thomson, Amanda M.E. |
Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band |
2022 |
Metal Music Studies |
8 |
381-400 |
| Thomas, Samuel |
The Devil's Party. Metal and Literature |
2022 |
The Routledge Companion to Music and Modern Literature |
|
406-415 |
| Thibodeau, Anthony J.; Bond, Sage |
“A Whole New Type of Isolation”: Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020–2021 |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
91-112 |
| Teichert, Matthew |
Die Antichristen. Satanistisch-, neugermanische’ Allianzen im Black Metal und ihre Wurzeln in Schwarzer Romantik. Wagnerianismus und (Vulgär-)Nietzscheanismus |
2016 |
Zwischen Germanomanie und Antisemitismus: Transformationen altnordischer Mythologie in den Metal-Subkulturen |
|
59-74 |
| Tarazona Elvino, Luis Manuel |
Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo |
2009 |
|
|
150 |
| Tapia, Reynaldo; Mendoza, Boris (eds) |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
2022 |
|
|
|
| Tapia, Reynaldo; Mendoza, Boris |
Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 |
2022 |
Metal Music Studies |
8 |
143-161 |
| Tapia, Reynaldo |
El Metal Underground como Cultura, Identidad y Resistencia |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
9-30 |
