Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Ribaldini, Paolo |
Terminology issues with the poïetic aspect of vocals in heavy metal studies: A suggestion for a multidisciplinary approach |
2019 |
Metal Music Studies |
5 |
315-335 |
| Rekedal, Jacob |
Martyrdom and Mapuche Metal: Defying Cultural and Territorial Reductions in Twenty-First-Century Wallmapu |
2019 |
Ethnomusicology |
63 |
|
| Quinn, Kate |
Heavy metal music and managing mental health: Heavy Metal Therapy |
2019 |
Metal Music Studies |
5 |
419-424 |
| Pirenne, Christophe |
Né sous une (très) mauvaise étoile : Une étude de cas dans la réception de la New Wave of British Heavy Metal |
2019 |
Volume! La revue des musiques populaires |
15:2 |
15-23 |
| Pierpont, Jacques de; Bourhis, Hervé |
Heavy Metal: un género mítico |
2019 |
|
|
|
| Pérez Pelayo, Marisol |
The role of Musicking and the body in the Metal community of Guadalajara México. How does bonding through Metal music enable new kinship and friendship structures |
2019 |
|
|
|
| Pérez González, Bianca Natascha |
Black Sabbath y el cronotopo del carnaval |
2019 |
Sincronía |
xxiii |
186-194 |
| Palou Espinosa, Miguel |
¿De la escena a la «meta-escena»? El problema de definir los ámbitos de creatividad y percepción del rock y el metal |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
53-76 |
| Overell, Rosemary |
‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others |
2019 |
Australian Metal Music |
|
71-90 |
| Ostrowski, Florian-Jan |
Vom Teufel zum Satanismus: der Wandel der Teufelsbilder im musikalischen Genre Heavy Metal, 1980-2000 |
2019 |
|
|
|
