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Coggins, O. (2016). Transforming Detail into Myth: Indescribable Experience and Mystical Discourse in Drone Metal. In A. R. Brown, K. Spracklen, N. W. R. Scott, & K. Kahn-Harris (Eds.), Global metal music and culture: current directions in metal studies (pp. 311–332). New York & London: Routledge.
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Coggins, O. (2019). Dirty, soothing, secret magic: individualism and spirituality in New Age and extreme metal music cultures. Popular Music; Cambridge, 38(1).
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Coggins, O. (2019). Distortion, restriction and instability: Violence against the self in depressive suicidal black metal. Metal Music Studies, 5(3), 401–418.
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Coggins, O. (2018). Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal. Metal Music Studies, 4(2), 309–328.
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Coggins, O. (2018). Mysticism, ritual, and religion in drone metal. London & New York: Bloomsbury Academic.
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Coggins, O. (2016). ‘Record store guy’s head explodes and the critic is speechless!’ Questions of genre in drone metal. Metal Music Studies, 2(3), 291–309.
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Coggins, O. (2015). Experience, Practice, Writing: A Methodological Outline Of Drone Metal Research. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 354–365). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Coggins, O., & Harris, J. (2017). Circular scaffold. In Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 6–9). St. Louis: Void Front Press.
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Coggins, O. (2021). Ecology, Estrangement and Enchantment in Black Metal's Dark Haven. Green Letters. Studies in Ecocriticism, t.b.c..
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Coggins, O. (2014). Nationalist Black Metal, Black Metal Nation. In G. Ray, J. Sarkar, & A. Bhattacharya (Eds.), Writing Difference: Literature, Identity and Nationalism (pp. 460–481). London: Atlantic.
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