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Pérez Pelayo, M. (2021). El mundo alegórico de Cemican: Un estudio en antropología simbólica sobre metal. Lenguas Radicales, 1(2), 7–18.
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Calvo, M. (2021). Ricardo Iorio e e metal argentino: uma genealogia dos seus nacionalismos. Tropos: Comunicação, Sociedade e Cultura, 10(2), s.p.
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Overell, R. (2021). Voicing the Real in Extreme Metal. Continental Thought & Theory, 3(3), 136–163.
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Kosek, J. (2021). Transfigurations of the “Emploi” and Artistic Manifestations of Female (Heavy) Metal Singers. Annales Universitatis Paedagogicae Cracoviensis, 13(2), 35–46.
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Armao, F. (2021). The Contemporary Myth of the Celts in Ireland: from (Mainstream) Enya to (Underground) Cruachan. Revue française de civilisation britannique, 26(3), s.p.
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Verne, M. (2021). Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar. In A. Schlitte, M. Verne, & G. Wedekind (Eds.), Die Handlungsmacht ästhetischer Objekte (pp. 167–196). Berlin: De Gruyter.
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Kolesnik, A. S. (2021). Стальные воины: репрезентация машин и техники в британском хеви-метале 1980-х годов [Warriors of Steel: Representations of Machinery and Technology in British Heavy Metal of the 1980s]. Художественная культура, 4, 362–381.
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Hudson, S. S. (2022). Bang Your Head: Construing Beat Through Familiar Drum Patterns in Metal Music. Music Theory Spectrum, 44(1), s.p.
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Hudson, S. S. (2021). Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics. Metal Music Studies, 7(3), 475–478.
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Radovanović, B. (2021). Extreme Sound, “Extreme” Lifestyle? Investigating Cattle Decapitation’s Stance on the Human Impact on the Environment and Animal Rights. Studia Polensia, 10(1), 43–58.
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