| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Pack, Christian M. |
“Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
39-60 |
| Sánchez Mondaca, Maximiliano |
Dictatorship and Metal in Chile: A Causal Relationship? |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
61-80 |
| Lagos Chacón, Pedro Manuel |
The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
81-106 |
| López Ramírez Gastón, José Ignacio |
Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-Segregation |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
107-130 |
| Fernández Lozano, Miriela |
The Metal Scene in Havana, Cuba: An Assessment of Its Cultural Development from 2007 to 2017 |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
133-160 |
| Rodríguez Molinari, María Ximena |
In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
161-182 |
| Calvo, Manuela Belén |
Metal and Politics in Argentina: A Study into the Audienceship Surrounding Ricardo Iorio |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
183-200 |
| Scaricaciottoli, Emiliano |
America, Avenge Yourself: The Emergence of Combative Discourse and Other Recent Directions in Contemporary Argentinian Metal (An Exploration in Three Movements) |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
201-216 |
| Castañeda Maldonado, Mario Efraín |
The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
219-238 |
| Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
