| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Rivera-Segarra, Eliut; Ramos, Jeffrey W.; Varas-Díaz, Nelson |
“A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
287-304 |
| Klausner, Guilherme Alfradique |
Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
265-284 |
| Nevárez Araujo, Daniel |
Metal Migration: The Latin American Diasporic Experience in Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
305-332 |
| Miranda Bonilla, Sergio |
La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
69-92 |
| Ortiz Cora, Laila Eréndira |
La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
93-109 |
| Beya, Sara |
Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music |
2020 |
|
|
|
| Guberman, Daniel |
Teaching intercultural competence through heavy metal music |
2020 |
Arts and Humanities in Higher Education |
20 |
115-132 |
| Mc Alister, Caitlin |
Heavy Metal Historiography: Historical Subject Matter in the Music of Iron Maiden |
2020 |
|
|
|
| Soltani, Ashkan; Zappia, Natale A. |
Rez Metal: Inside the Navajo Nation Heavy Metal Scene |
2020 |
|
|
|
| Chowenhill, Richard |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
2020 |
|
|
|
