| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Miller, Diana |
Creative Producers and Gender Relations: A Field Analysis of Two Grassroots Music Scenes |
2016 |
|
|
205 |
| Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
| Triplett, Andrew G. |
Music and aggression: Effects of lyrics and background music on aggressive behavior |
2016 |
|
|
57 |
| Watts, Chelsea Anne |
Nothin' But a Good Time: Hair Metal, Conservatism and the End of the Cold War in the 1980s |
2016 |
|
|
232 |
| Calandra, Nicole |
Metal health: Measuring depression and anxiety within the heavy metal community |
2016 |
|
|
41 |
| McDowell, Michael A., II |
Heavy South: Identity, Performance, and Heavy Music in the Southern Metal Scene |
2016 |
|
|
80 |
| Hereld, Diana Christine |
Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music |
2016 |
|
|
141 |
| Miller, Michael Brian |
Nicodemus! The beds are burning again: The ascension of Gorgomath |
2016 |
|
|
163 |
| Carter, Molly |
Perchten and krampusse: living mask traditions in austria and bavaria |
2016 |
|
|
|
| Vaughn, Erin M. |
Harmonic resources in 1980s hard rock and heavy metal music |
2015 |
|
|
94 |
