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Hurley, G. F. (2022). Funeral doom metal as the rhetoric of contemplation: A Burkean perspective. Metal Music Studies, 8(1), 69–85.
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Gibson, D. L. (2022). Mechanical and artificial “nü-horror metal”: The film music of “Resident Evil”. Metal Music Studies, 8(1), 87–108.
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Herbst, J. - P. (2022). “Keeper of the Seven Keys”: Audio heritage in metal music production. Metal Music Studies, 8(1), 109–126.
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Büttner, C. A., & Wehmeier, H. (2022). Ein Film aus dem Ruhrgebiet? Deindustrialisierungsgeschichte(n) und Körperpolitiken des Metals in “Thrash, Altenessen”. ffk Journal, 7, 15–36.
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LeVine, M. (2022). We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World. University of California Press: Oakland.
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Thomas, S. (2022). The Devil's Party. Metal and Literature. In R. Durkin, P. Dayan, A. Englund, & K. Clausius (Eds.), The Routledge Companion to Music and Modern Literature (pp. 406–415). London: Routledge.
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Hofer, D. (2014). PERPETUAL CONVERSION: 30 Years and Counting in the Life of Metal Veteran Dan Lilker. Handshake Inc.
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Lukes, D., & Panayotov, S. (Eds.). (2021). Black Metal Rainbows. PM Press.
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Andrew Klein. (2018). Blood, Frets and Tears.
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Barajas, J. E. (2021). Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal.. Bogotá: Corporación Universitaria Minuto de Dios.
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