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Castaños, M. P. (2019). Hidden Rituals, Secret Powers And Everlasting Horrors: The Presence Of Lovecraftian Imaginary in Spanish Recent Extreme Metal / Ritos arcanos, poderes ocultos y horrores intemporales: la presencia del imaginario lovecraftiano en el metal extremo español reciente. Brumal : Revista de Investigación sobre lo Fantástico = Research Journal on the Fantastic; Bellaterra, 7(1), 81–105.
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Kahn-Harris, K. (2000). ‘Roots’? the relationship between the global and the local within the Extreme Metal scene. Popular Music, 19(1), 13–30.
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Riches, G. (2011). Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality. Journal for Cultural Research, 15(3), 315–332.
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Kahn-Harris, K. (2009). End of the World Music: Is Extreme Metal the Sound of the Apocalypse. In J. Walliss, & K. G. C. Newport (Eds.), The end all around us: apocalyptic texts and popular culture (pp. 22–42). London & Oakville: Equinox.
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Kahn-Harris, K. (2004). Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene’. In A. Bennett, & K. Kahn-Harris (Eds.), After subculture: critical studies in contemporary youth culture (pp. 107–118). Houndmills, Basingstoke, Hampshire & New York: Palgrave Macmillan.
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Kahn-Harris, K. (2009). Nem látványos szubkultúra? Határátlépés és hétköznapiság a globális extrém metal színtéren [Unspectacular Subculture? Transgression and Mundanity in the Global Extreme Metal Scene]. Replika, 65, 165–175.
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Kahn-Harris, K. (1999). An Orphaned Land? Israel and the Global Extreme Metal Scene. In K. Harris (Ed.), New voices in Jewish thought. Vol. 2 Vol. 2 (pp. 1–21). London: Limmud.
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Kahn-Harris, K. (2001). Ein Verwaistes Land? Israel und die Extreme Metal-Szene. Testcard, 6.
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Campoy, L. C. (2008). Trevas na cidade: o underground do metal extremo no brasil. Ph.D. thesis, Universidade Federal do Rio de Janeiro, Rio de Janeiro.
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Campoy, L. C. (2010). Trevas sobre a luz: O Underground do Heavy Metal Extremo no Brasil. São Paulo: Alameda.
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