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Manea, I. M. (2016). Valhalla Rising: The Construction of Cultural Identity through Norse Myth in Scandinavian and German Pagan Metal. Ph.D. thesis, University of Bucharest, Bucharest.
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Spracklen, K. (2016). What did the norwegians ever do for us? Actor-network theory, the second wave of black metal and the imaginary community of heavy metal. In N. Varas-Díaz, & N. Scott (Eds.), Heavy Metal Music and the Communal Experience (pp. 151–168). Lanham, Boulder, New York & London: Lexington Books.
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Heinen, S. (2017). ”Odin rules”: Religion, Medien und Musik im Pagan Metal. Bielefeld: Transcript.
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Heley, J., & Welsh, M. (2017). Regions rock : heavy metal and the role of music in the construction of regional identity for the British Midlands. In J. Riding, & M. Jones (Eds.), Reanimating regions: culture, politics and performance (pp. 26–45). New York & London: Routledge.
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Karjalainen, T. - M. (Ed.). (2018). Sounds of origin in heavy metal music. Cambridge: Cambridge Scholars Publishing.
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Saguar García, A. (2019). The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing down the gauntlet (pp. 93–106). London: Emerald.
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Hill, R., & Spracklen, K. (Eds.). (2010). Heavy fundametalisms: music, metal and politics. Oxford: Inter-Disciplinary Press.
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Mulvany, A. P. (2000). ”Reawakening pride once lost”: indigeneity and European folk metal. Ph.D. thesis, Wesleyan University, Middletown.
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Pack, C. (2015). Salvadoran Metal and the Questioning of National Identity. Ph.D. thesis, John Hopkins University, Baltimore.
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Tolvanen, H. (2006). The quiet past and the loud present: the Kalevala and heavy metal. Volume! La revue des musiques populaires, 5(2), 75–89.
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