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Wallach, J., Berger, H. M., & Greene, P. D. (2011). Affective overdrive, scene dynamics, and identity in the global metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 3–33). Durham: Duke University Press.
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Wallach, J. (2011). Unleashed in the East: metal music, masculinity, and ”malayness” in Indonesia, Malaysia, and Singapore. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 86–105). Durham: Duke University Press.
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Avelar, I. (2011). Otherwise national: locality and power in the art of Sepultura. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 135–160). Durham: Duke University Press.
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Hochhauser, S. (2011). The marketing of Anglo-identity in the North American hatecore metal industry. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 161–179). Durham: Duke University Press.
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Elovaara, M. (2017). Thor and trolls, flutes and fiddles: ”folk” in metal. In M. Elovaara, & B. Bardine (Eds.), Connecting metal to culture: unity in disparity. Bristol: Intellect Books.
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Helden, I. von. (2017). Norwegian native art: cultural identity in Norwegian metal music. Münster: Lit.
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Stoop, D. C. (2015). Germanen, Trolle und Nazis. Thematisierungen des Nationalen im Heavy Metal. In D. Stoop, & R. Bartosch (Eds.), (Un)Politischer Metal? Musikalische Artikulationen des Politischen zwischen Ideologie und Utopie (pp. 33–48). Trier: Wvt.
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Barone, S. (2015). Metal Identities In Tunisia: Locality, Islam, Revolution. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 185–194). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Ferrarese, M. (2015). Heavy Metal Nothingness: Alluring Foreignness And Authenticity Construction In Early 2010s Malaysian Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 195–205). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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McGrath, B. (2015). The Othering Of Botswanan Metal. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 206–218). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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