|
Wang, Y. (2015). Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 219–229). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
|
|
|
Heath, D. (2015). Heavy Metal From The Antarctic Ends Of The Earth: Investigating The Metal Music Identity From Invercargill, Southland, New Zealand. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 230–239). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
|
|
|
Lucas, O. (2015). Kentucky: Sound, Environment, History – Black Metal And Appalachian Coal Culture. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 555–563). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
|
|
|
Kaiser, M. (2016). Gender, Identity, and Power in Metal Music Scenes. Ph.D. thesis, Hampshire College, Hampshire.
|
|
|
Downing, D. (2012). Defending the Realm: National Identity, Heritage and Nationalism in Black Metal. Ph.D. thesis, Hull College, Hull.
|
|
|
Calvo, M. B. (2016). Almafuerte: Metal pesado argento and its construction of Argentinian nationalism. Metal Music Studies, 2(1), 21–38.
|
|
|
Karjalainen, T. - M. (2018). Tales from the North and Beyond: Sounds of Origin as Narrative Discourses. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 1–40). Cambridge: Cambridge Scholars Publishing.
|
|
|
Frangioni, T., Masina, F., Pieroni, G., & Venturella, M. (2018). Son(g)s of Darkness: Identities in Italian Black Metal. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 71–94). Cambridge: Cambridge Scholars Publishing.
|
|
|
Norman, J. (2018). From the Bogs of Aughiska: Dark Ambient, Folklore, and Irish National Identity. In T. - M. Karjalainen (Ed.), Sounds of origin in heavy metal music (pp. 117–140). Cambridge: Cambridge Scholars Publishing.
|
|
|
Spracklen, K. (2017). ‘Yours is the Earth and everything that’s in it, and – which is more – you’ll be a man, my son’: Myths of British masculinity and Britishness in the construction and reception of Iron Maiden. Metal Music Studies, 3(3), 405–419.
|
|