toggle visibility Search & Display Options

Select All    Deselect All
 | 
Citations
 | 
   print
Grant, J. (2007). Boys Interrupted: The Drama of Male Bonding in Some Kind of Monster. In W. Irwin (Ed.), Metallica and Philosophy: a crash course in brain surgery (pp. 219–231). Malden & Oxford: Blackwell.
toggle visibility
Carmona Campo, A. (2021). Filosofía y heavy metal. Pamplona: Laetoli.
toggle visibility
Coggins, O., & Harris, J. (Eds.). (2017). Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism. St. Louis: Void Front Press.
toggle visibility
Riva, G. (2010). Teoría y método: ¿En qué se parecen Derrida y el Heavy Metal? Luthor, 1(2), 9–15.
toggle visibility
James, K. (2009). From ”The Undead will feast” to ”The time to kill is now”: Frankfurt school and freudian perspectives on death-metal. Musicology Australia, 31(1), 17–39.
toggle visibility
Bogue, R. (2004). Violence in Three Shades of Metal : Death, Doom and Black. In I. Buchanan, & M. Swiboda (Eds.), Deleuze and Music (pp. 95–117). Ediinburgh: Edinburgh University Press.
toggle visibility
Wilson, S. (2014). Melancology: Black Metal Theory and Ecology. London: John Hunt Publishing.
toggle visibility
Masciandaro, N. (2012). Reflections from the Intoxological Crucible. In T. Howells (Ed.), Black Metal: Beyond the Darkness. Black Dog Publishing.
toggle visibility
Hunt-Hendrix, H. (2012). Transcendental Black Metal A Vision of Apocalyptic Humanism. In T. Howells (Ed.), Black Metal: Beyond the Darkness. Black Dog Publishing.
toggle visibility
Masciandaro, N. (2014). Anti-Cosmosis: Black Mahapralaya. In N. Masciandaro (Ed.), Hideous gnosis: Black Metal Theory Symposium 1 (pp. 67–92). s. l.: s. i.
toggle visibility
Select All    Deselect All
 | 
Citations
 | 
   print