Boyarin, S., Saguar García, A., Christensen, A., & Swinford, D. (2019). The Politics and Poetics of Metal’s Medieval Pasts. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 71–80). London: Emerald.
|
Christensen, A. (2019). Making Heritage Metal: Faroese Kvæði and Viking Metal. In R. Barratt-Peacock, & R. Hagen (Eds.), Medievalism and Metal Music Studies: Throwing Down the Gauntlet (pp. 107–120). London: Emerald.
|
Whitting, S., Klimentou, P., & Rogers, I. (2019). ‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive. In C. Hoad (Ed.), Australian Metal Music (pp. 55–70). London: Emerald.
|
Overell, R. (2019). ‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others. In C. Hoad (Ed.), Australian Metal Music (pp. 71–90). London: Emerald.
|
Glitsos, L. (2019). Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime. In C. Hoad (Ed.), Australian Metal Music (pp. 91–110). London: Emerald.
|
Spracklen, K. (2019). Afterword. Being Metal, Being Australian? Reflections and an Afterword. In C. Hoad (Ed.), Australian Metal Music (pp. 145–148). London: Emerald.
|
Belén Calvo, M. (2018). Indigenista perspectives in Argentine metal music. Metal Music Studies, 4(1), 155–163.
|
Rivera-Segarra, E., Varas-Díaz, N., Mendoza, S., & Díaz, X. (2018). Morbo ancestral: Reformulando la cultural local a través de la música metal en Puerto Rico. Metal Music Studies, 4(1), 165–174.
|
Calvo, M. B. (2018). Perspectiva indigenista en la música metal de Argentina. Metal Music Studies, 4(1), 147–154.
|
Pack, C. (2018). ‘Severed Reality’: Representations of reality in Salvadoran tribal metal. Metal Music Studies, 4(1), 187–196.
|