|
|
Herbst, J. - P. (2021). (No?) Adventures in Recording Land: Engineering Conventions in Metal Music. Rock Music Studies, t.b.c..
|
|
|
|
Herbst, J. - P. (2021). Nail the Mix: Standardization in Mixing Metal Music? Popular Music and Society, t.b.c..
|
|
|
|
Rogers, A. S., & Deflem, M. (2021). Doing Gender in Heavy Metal: Perceptions on Women in a Hypermasculine Subculture. London: Anthem Press.
|
|
|
|
Swiniartzki, M. (2021). Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994). Journal of Popular Music Studies, 33(3), 168–193.
|
|
|
|
Kinnunen, M., & Honkanen, A. (2021). Femininity in metal fanship: “I do not need to take anyone along”. Metal Music Studies, 7(2), 211–235.
|
|
|
|
Sackl-Sharif, S. (2021). The dark side of blogging: Digital metal communities and metal influencers. Metal Music Studies, 7(2), 237–255.
|
|
|
|
Brown, A. R. (2021). Heavy metal justice?: Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone, 1980‐91: Part two 1986‐91. Metal Music Studies, 7(2), 257–276.
|
|
|
|
Hannan, C. (2021). Ghostly longing: Tonality as grieving in Bell Witch’s “Mirror Reaper”. Metal Music Studies, 7(2), 277–297.
|
|
|
|
Mora-Rioja, A. (2021). “We Are the Dead”: The War Poets, metal music and chaos control. Metal Music Studies, 7(2), 299–315.
|
|
|
|
Doesburg, C. (2021). Of heroes, maidens and squirrels: Reimagining traditional Finnish folk poetry in metal lyrics. Metal Music Studies, 7(2), 317–333.
|
|
