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Shadrack, J. (2018). Mater omnium and the cosmic womb of the abyss: Nomadic interiorities and matrifocal black metal performance. Metal Music Studies, 4(2), 281–292.
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Elliott, P. (2018). ”A Matter of Life and Death”: Iron Maiden’s religio-political critique. Metal Music Studies, 4(2), 293–307.
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Coggins, O. (2018). Evil I? Witchfinders and the magical power of ambiguity at stake in doom metal. Metal Music Studies, 4(2), 309–328.
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Hay, A. (2018). Phew – What a blizzard! Black metal and the UK popular press. Metal Music Studies, 4(2), 329–341.
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Brown, A. R. (2018). A manifesto for metal studies: Or putting the ‘politics of metal’ in its place. Metal Music Studies, 4(2), 343–363.
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DiGioia, A., & Helfrich, L. (2018). ‘I’m sorry, but it’s true, you’re bringin’ on the heartache’: The antiquated methodology of Deena Weinstein. Metal Music Studies, 4(2), 365–374.
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Podoshen, J. S. (2018). Constructing black metal mythology for global monopoly: #ittakescourage. Metal Music Studies, 4(2), 375–380.
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Kirner-Ludwig, M., & Wohlfarth, F. (2018). METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal. Metal Music Studies, 4(3), 403–432.
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Hannan, C. (2018). Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan. Metal Music Studies, 4(3), 433–458.
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Jones, S. (2018). Kerrang! magazine and the representation of heavy metal masculinities (1981–95). Metal Music Studies, 4(3), 459–480.
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