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Olsem Kirk N., Powell, M., Anic, A., Vallerand, R. J., & Thompson, W. F. (2020). Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience. Musicae Scientiae, OnlineFirst.
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Wojtala, M. (2020). Inspiracje II wojną światową w muzyce metalowej [Inspirations of the Second World War in metal music]. In J. Kosek (Ed.), Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] (pp. 212–225). Kraków: Wydawnictwo Naukowe Uniwersytetu Pedagogicznego.
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Schmidt, A. (2020). Unten und im Norden: Mythische Bildsprache, Kunst und (Sub-)Kultur in der nordischen Schaffensperiode Helrunars. NORDEUROPAforum – Zeitschrift für Kulturstudien, Jhg. 2020, 194–227.
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Hill, R. L. (2021). When love and critique collide: Methodology ontology fandom and standpoint in metal research. Metal Music Studies, 7(2), 197–210.
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Garza, J. M. (2021). Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music. Music Theory Online, 27(1), n.p.
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Hagen, K. (2021). “If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen. Blake / an Illustrated Quarterly, 54(3), n.p.
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Barchi, R. (Ed.). (2021). Diálogos com a música extrema. Porto Alegre: editorafi.org.
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Messick, K. J. (2021). Music Industry in Crisis: the Impact Of a Novel Coronavirus on Touring Metal Bands, Promoters, and Venues. In V. Bozkurt, G. Dawes, H. Gülerce, & P. Westenbroek (Eds.), The Societal Impacts of Covid-19: A Transnational Perspective (pp. 93–108). Istanbul: Istanbul University Press.
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Carmona Campo, A. (2021). Filosofía y heavy metal. Pamplona: Laetoli.
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Lake, D. (2020). USBM: A Revolution of Identity in American Black Metal. Decibel Books.
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