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Armao, F. (2021). The Contemporary Myth of the Celts in Ireland: from (Mainstream) Enya to (Underground) Cruachan. Revue française de civilisation britannique, 26(3), s.p.
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Jakić, I., & Beroš, M. (2021). Nenormalnost ili o potrazi za identitetnim osnovama heavy metala [Abnormality or the search for heavy metal's fundamental identity]. Studia Polensia, 10(1), 73–86.
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Valijärvi, R. - L. (2022). Cultural trauma in the lyrics of the Estonian folk metal band Metsatöll. metal music studies, 8(1), 7–27.
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Barajas, J. E. (2021). Historia del power metal colombiano: un documental para la creación de un panorama histórico e identitario del power metal.. Bogotá: Corporación Universitaria Minuto de Dios.
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Alarcón Ruiz, J. C. (2017). CULTURA JUVENIL E IDENTIDAD: ORIGEN Y DESARROLLO DE LA CULTURA DEL METAL EN LA CIUDAD DE LIMA ENTRE LOS AÑOS 1980 Y 2017. Bachelor's thesis, Federico Villarreal National University, Lima, República del Perú. Retrieved August 22, 2024, from http://repositorio.unfv.edu.pe/bitstream/handle/UNFV/3804/UNFV_Alarc%C3%B3n%20Ruiz_Juan%20Carlos_T%C3%ADtulo%20Profesional_Antropolog%C3%ADa_2019.pdf?sequence=1&isAllowed=y
Abstract: This research deals with the origin and development of the culture of Metal music in the city of Lima, and how adolescents of that time began the construction of a musical scene and the construction of an identity as individuals and as a community. The initial development of this urban culture took place during the 1980s, a period that was disastrous for Peru, where there was a chaotic context at the political, social level; economic; terror, suffering and above all uncertainty about the future. Between the bombs, death and destruction – facts generated by armed movements – the culture of Metal began to take shape, having as protagonists this group of adolescents; largely as rebellion and rejection about what they had to live. It was a society they did not want to be in. Based on different cultural manifestations (bands, fanzines, concerts, organizations) they began to build their own world, culture and identity. This identity is revaluated and becomes more powerful today when compared with the new generations of metalheads; who, based on the use of technology and a generally more favorable context, also try to participate in this urban culture.
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Robertson, W. (2022). Screaming of Slaughter and Samurai: Motives and Methods for Exploring Premodern Japan in the Japanese Folk Metal Scene. Parergon, 39(1), 79–104.
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Tapia, R., & Mendoza, B. (2022). Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003. Metal Music Studies, 8(2), 143–161.
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Doesburg, C. (2021). The Adaptation and Appropriation of the “Kalevala” and Folk Poetry in Finnish Metal Music. Ph.D. thesis, University of London, London.
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Rapatskaya, Y. O. (2022). “ТРАДИЦИОННАЯ РУССКАЯ ДРАМА”: ПРАКТИКИ САМОРЕПРЕЗЕНТАЦИИ РОССИЙСКИХ ЭКСТРИМ-МЕТАЛ ГРУПП НА ПРИМЕРЕ SECOND TO SUN И L'HOMME ABSURDE [“Traditional Russian Drama”: Practices of self-representation of Russian extreme metal bands on the example of Second to Sun and L'Homme Absurde]. Артикульт [Articult], 2(46), 44–66.
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Hudcová, L. (2015). Metal – hudba, kultura, identita [Metal – music, culture, identity]. Bachelor's thesis, Univerzita Karlova, Fakulta humanitních studií, Prague.
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