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Hoad, C. (2015). Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 300–308). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Grund, C. M. (2015). The Sounds Of Metal: A Proposal For The Interpretation Of Extreme Metal As Music. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 374–382). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Samlhofer, A. (2011). Grindcore – eine ›extreme‹ Mutation des Metals? Zur Diskursivierung des Grindcore. In R. F. Nohr, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 207–224). Münster: Lit.
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Núñez, M. de la L. (2021). Florecimiento extremo como reivindicación de género: mujeres que hacen metal en Lima. In E. Scaricaciottoli, & G. Minore (Eds.), Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano (pp. 48–56). Buenos Aires: Clara Beter Ediciones.
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Scott, N. (Ed.). (2010). The metal void: first gatherings. Oxford: Inter-Disciplinary Press.
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Taylor, L. W. (2010). Extreme politics and extreme metal: strange bedfellows or fellow travellers? In N. Scott (Ed.), The metal void: first gatherings (pp. 175–210). Oxford: Inter-Disciplinary Press.
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Kahn-Harris, K. (2011). ”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 200–227). Durham: Duke University Press.
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Kahn-Harris, K. (2009). End of the World Music: Is Extreme Metal the Sound of the Apocalypse. In J. Walliss, & K. G. C. Newport (Eds.), The end all around us: apocalyptic texts and popular culture (pp. 22–42). London & Oakville: Equinox.
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Rodríguez-Hernández, S. M. (2015). ”In the Name of Satan”: Violence, Extreme Metal and Young People in Colombia in the ’80s and ’90s. In S. A. Wilson (Ed.), Music at the Extremes: Essays on Sounds Outside the Mainstream (pp. 143–156). Jefferson: McFarland.
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