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| Author | López Ramírez Gastón, José Ignacio | ||||
| Title | El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano | Type | Journal Article | ||
| Year | 2020 | Publication | Antec: Revista Peruana de Investigación Musical | Abbreviated Journal | |
| Volume | 4 | Issue | 1 | Pages | 60-85 |
| Keywords | Rock; música popular; música peruana; rock nacional; translocalidad; nacionalismo | ||||
| Abstract | La participación del rock en el desarrollo de comunidades musicales en el Perú es un tema no explorado dentro del ámbito académico. En la construcción de los modelos nacionales y regionales de una musicalidad propia, las músicas populares urbanas de origen extranjero no han sido consideradas; tampoco lo han sido como elementos en la formación de una identidad regida por los parámetros del discurso del Estado-nación. En este trabajo, exploramos las confrontaciones y dicotomías que mantienen el tema del rock como ajeno y a las comunidades musicales del rock nacional, como lejanas. | ||||
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| Publisher | La Universidad Nacional de Música (UNM) (Perú) | Place of Publication | Ciudad de Lima, la República del Perú | Editor  |
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| Language | español | Summary Language | Original Title | ||
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| ISSN | 2616-681X (electrónico); 2521-8565 (impreso) | ISBN | Medium | PDF, XML, EPUB, HTML | |
| Area | Expedition | Conference | |||
| Notes | Open Access: Esta obra está bajo una licencia internacional: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2379 | ||
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| Author | Fuertes Sánchez, Fernando | ||||
| Title | Underground boliviano | Type | Magazine Article | ||
| Year | 2022 | Publication | Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras | Abbreviated Journal | |
| Volume | 1 | Issue | 1 | Pages | 20-21 |
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| Abstract | Fernando Fuertes Sánchez es Magister en Estudios de la Cultura (UASB, Quito-Ecuador) y es autor de los libros Espíritu Underground. La escena metalera en Bolivia y el sentimiento subterráneo (2021) y Underground. Una introducción sociológica (2014). Contacto: fer_nano123@hotmail.com, fsanchezfuertes@gmail.com REEHM motto: Espacio interdisciplinario integrado por diverses actores sociales, les cuales nos proponemos la reflexión y el intercambio acerca del Heavy Metal y su cultura, partiendo del diálogo realizado desde la base de la horizontalidad y la heterogeneidad. |
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| Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic | Editor |
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| ISSN | 2953-3805 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2380 | ||
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| Author | Somoza, Jimena Mabel | ||||
| Title | Hospitalarias realidades: Desarme de corporalidades metaleras a través de la Medicina y las Ciencias Naturales | Type | Magazine Article | ||
| Year | 2022 | Publication | Disonancias del metal: Reflexiones del 1er y 2do Encuentro Sociocultural sobre Heavy Metal: Heterogeneidades Metaleras | Abbreviated Journal | |
| Volume | 1 | Issue | 1 | Pages | 22-23 |
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| Abstract | Jimena Mabel Somoza es egresada del Profesorado de Cs. Naturales perteneciente al Instituto Superior de Profesorado “Dr. Joaquín V. González”. Especialista Superior en Ed. Sexual. Colaboró en el libro Ideas para el aula de Meinardi, Elsa y Mateu, Marina (compiladoras). Especialista en Docencia de Nivel Secundario, egresada del CITEP (UBA). Diplomada en Intervenciones Pedagógicas en Contexto de Encierro de la UNSAM y Especialista Superior en Políticas de la Infancia del Instituto Superior de Profesorado N°2 “Mariano Acosta”. Maestranda en Educación en Ciencias Experimentales y Tecnología, FCEFyN (UNC), también cursa la Maestría y Doctorado en Estudios y Políticas de Género en la UNTREF. |
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| Publisher | REEHM (Red De Estudios y Experiencias en y desde el Heavy Metal) | Place of Publication | Autonomous City of Buenos Aires, Argentine Republic, Argentine Republic | Editor |
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| Language | español | Summary Language | Original Title | ||
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| ISSN | 2953-3805 | ISBN | Medium | ||
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| Notes | https://www.facebook.com/reddeestudiosyexperienciasenydesdeelheavymetal/ | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2381 | ||
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| Author | Hannan, CalderCalder | ||||
| Title | Structural Density and Clarity, Technical Death Metal, and Anomalous’s “Ohmnivalent” | Type | Journal Article | ||
| Year | 2022 | Publication | Music Theory Online | Abbreviated Journal | |
| Volume | 28 | Issue | 1 | Pages | s.p. |
| Keywords | Musicology; Death metal; Anomalous (band) | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2382 | ||
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| Author | Lucas, Olivia R. | ||||
| Title | Performing Analysis, Performing Metal: Meshuggah, Edvard Hansson, and the Analytical Light Show | Type | Journal Article | ||
| Year | 2021 | Publication | Music Theory Online | Abbreviated Journal | |
| Volume | 27 | Issue | 4 | Pages | s.p. |
| Keywords | Concert Lightning | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2384 | ||
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| Author | Lucas, Olivia R. | ||||
| Title | Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music | Type | Book Whole | ||
| Year | 2016 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages | |||
| Keywords | Extreme metal; Loudness; Complexity; Musicology; Theory | ||||
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| Corporate Author | Thesis | Ph.D. thesis | |||
| Publisher | Harvard University | Place of Publication | Cambridge | Editor |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2385 | ||
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| Author | Lucas, Olivia R. | ||||
| Title | “Kaitiakitanga, Whai Wāhi” and Alien Weaponry: indigenous frameworks for understanding language, identity and international success in the case of a Māori metal band | Type | Journal Article | ||
| Year | 2021 | Publication | Popular Music | Abbreviated Journal | |
| Volume | 40 | Issue | 2 | Pages | 263-280 |
| Keywords | Alien Weaponry (band); Maori metal; Language; Identity; Nationhood | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 0261-1430 | ISBN | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2386 | ||
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| Author | Calvo, Manuela Belén; García Castiblanco, Norma; Núñez, María de la Luz; Padilla, Ludmila Mailén; Pascuchelli, María Natalia; Ruiz, Verónica; Saavedra Rodríguez, Milen Graciela; Vainscheinker, Erica | ||||
| Title | Consonancias del cuidado. Hacia un protocolo contra las violencias por motivos de género en las experiencias del metal | Type | Journal Article | ||
| Year | 2022 | Publication | Trans: Revista Transcultural de Música | Abbreviated Journal | |
| Volume | 26 | Issue | Pages | 1-16 | |
| Keywords | Metal, violencia, género, protocolo, Nuestra Abya Yala, Nuestra Afroamérica; Gender; Violence; Metal music, GBV, protocol, Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM) | ||||
| Abstract | El objetivo de este artículo es narrar la experiencia de construcción de un protocolo contra violencias por motivos de género en las prácticas del metal dentro de la región de Nuestra Abya Yala y Nuestra Afroamérica, por parte de la Comisión de Género de la Red de Estudios y Experiencias en y desde el Heavy Metal (REEHM). Para ello se dará cuenta de las diferentes etapas que componen este proceso, las cuales van desde las necesidades iniciales surgidas a partir de diversos ataques de violencia epistémica hacia integrantes de la REEHM, hasta la elaboración colectiva mediante métodos colaborativos. Esto implica la lectura, la reflexión y la escucha cuidada y grupal en la Primera Ronda de Brujxs. Hacia el final se comentan algunas conclusiones y proyecciones futuras vinculadas al metal y las problemáticas de género. [The aim of this article is to recount the experience of building a protocol against gender-based violence (GBV) within metal music practices in the region of Nuestra Afroamerica, by the Gender Commission of the Heavy Metal Studies and Experiences Network (REEHM). The different stages that make up this process will be described, ranging from the initial needs arising from various attacks of epistemic violence against REEHM members, to the collective elaboration through collaborative methods. This involves group reading, reflection, and careful listening in the Primera Ronda de Brujxs (First Circle of Witches). Towards the end some conclusions and future projections related to metal and gender issues are discussed.] |
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| Publisher | SIBE: Sociedad de Etnomusicología | Place of Publication | Barcelona, España | Editor |
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| Language | español | Summary Language | English | Original Title | |
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| ISSN | 1697-0101 | ISBN | Medium | ||
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| Notes | Open access: Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Spain license. | Approved | no | ||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2387 | ||
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| Author | Varas-Díaz, Nelson | ||||
| Title | El Sur Distorsionado como un cambio paradigmático para el metal y su estudio | Type | Journal Article | ||
| Year | 2022 | Publication | Lenguas Radicales | Abbreviated Journal | |
| Volume | 1 | Issue | 4 | Pages | 28-41 |
| Keywords | Global South; Non-Western scenes; Decolonisation | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2388 | ||
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| Author | Sandoval Trigo, Germán Medardo | ||||
| Title | Derecho y heavy metal: Fiat iustitia, et pereat mundus | Type | Journal Article | ||
| Year | 2022 | Publication | Lenguas Radicales | Abbreviated Journal | |
| Volume | 1 | Issue | 4 | Pages | 19-27 |
| Keywords | Postcolonialism; Global South; Non-Western scenes; Kaiowas (band); Ratos de Porão (band); Sepultura (band) | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2389 | ||
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