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Author | Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther | ||||
Title | Metal Music in the Distorted South: A Call for Defiance and Reflection | Type | Book Chapter | ||
Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
Volume | Issue | Pages | 9-30 | ||
Keywords | Global South; Politics; Inequality | ||||
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Corporate Author | Thesis | ||||
Publisher | Lexington Books | Place of Publication | London | Editor ![]() |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2423 | ||
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Author | Pichler, Peter | ||||
Title | To the sources! On historical source criticism in metal studies | Type | Journal Article | ||
Year | 2023 | Publication | Popular Music History | Abbreviated Journal | |
Volume | 15 | Issue | 1 | Pages | 54–77 |
Keywords | Metal Studies, History, Source Criticism, sonic knowledge, Styria, historical sources, metal scenes | ||||
Abstract | Metal studies is usually considered to be a fundamentally interdisciplinary field of research. However, the disciplines that were included at its beginning (mostly sociology, cultural anthropology, musicology, and philosophy) are still theoretically dominant. As a consequence, several important research questions that do not reflect these disciplines’ epistemologies have remained unanswered to this day. To a great extent, this applies to historical research questions on metal scenes. In this respect, the author argues that metal studies could benefit from the expertise of history in general and source criticism in particular. In order to develop this argument, necessary basic traits of contemporary historical source criticism are introduced. Then, the author proceeds by individually discussing three fundamental types of sources that are structurally tied to the historical long-term processes in metal scenes: concert flyers, album covers and band T-shirts. Research into the Styrian metal scene in south-eastern Austria provides examples. To conclude, it is posited that starting from a semiotic concept of source criticism and then adapting such a concept for the specific purposes of metal studies is necessary to nurture historical awareness and the accuracy of relevant research. | ||||
Address | 15 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom | ||||
Corporate Author | Thesis | ||||
Publisher | Equinox Publishing Ltd | Place of Publication | United Kingdom | Editor ![]() |
Catherine Strong; Shane Homan |
Language | English | Summary Language | Original Title | ||
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Series Volume | Series Issue | Edition | |||
ISSN | 1740-7133 (Print); 1743-1646 (Online) | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes | Approved | no | |||
Call Number | INTech @ brianhickam2019 @ | Serial | 2469 | ||
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Author | Herbst, Jan-Peter (ed) | ||||
Title | The Cambridge Companion to Metal Music | Type | Book Whole | ||
Year | 2023 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | 320 | ||
Keywords | Heavy metal; Twentieth-Century and Contemporary music; Music: General interest; Music performance | ||||
Abstract | “Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre” (source: Amazon.com). “Since its beginnings more than fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but increasingly as a recognised field of study. This Cambridge Companion reflects the maturing field of 'metal music studies' by introducing the music and its cultures, as well as recent research perspectives from disciplines ranging from musicology and music technology to religious studies, Classics, and Scandinavian and African studies. Topics covered include technology and practice, identity and culture, modern metal genres, and global metal, with reference to performers including Black Sabbath, Metallica and Amon Amarth. Designed for students and their teachers, contributions explore the various musical styles and cultures of metal, providing an informative introduction for those new to the field and an up-to-date resource for readers familiar with the academic metal literature” (source: https://www.cambridge.org/). Collection: The Cambridge Companions to Music. |
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Corporate Author | Thesis | ||||
Publisher | Cambridge University Press | Place of Publication | Cambridge, England | Editor ![]() |
Herbst, Jan-Peter |
Language | English | Summary Language | Original Title | ||
Series Editor | Series Title | Cambridge Companions to Music | Abbreviated Series Title | ||
Series Volume | Series Issue | Edition | |||
ISSN | ISBN | 978-1108845861; 978-1108993982; eBook: 9781108991162 | Medium | ||
Area | Expedition | Conference | |||
Notes | Approved | no | |||
Call Number | INTech @ brianhickam2019 @ | Serial | 2463 | ||
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Author | Putu Tangkas Adi Hiranmayena | ||||
Title | “FIX YOUR FACE”: Performing Attitudes between Mathcore and Beleganjur | Type | Book Chapter | ||
Year | 2023 | Publication | Sounding Out the State of Indonesian Music | Abbreviated Journal | |
Volume | Issue | Pages | 306-319 | ||
Keywords | Performance; Mathcore | ||||
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Corporate Author | Thesis | ||||
Publisher | Cornell University Press | Place of Publication | Ithaca | Editor ![]() |
McGraw, Andrew; Miller, Christopher J. |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2443 | ||
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Author | Wallach, Jeremy | ||||
Title | REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist | Type | Book Chapter | ||
Year | 2023 | Publication | Sounding Out the State of Indonesian Music | Abbreviated Journal | |
Volume | Issue | Pages | 162-179 | ||
Keywords | Indonesia; Politics | ||||
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Corporate Author | Thesis | ||||
Publisher | Cornell University Press | Place of Publication | Ithaca | Editor ![]() |
Miller, Christopher J.; McGraw, Andrew |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2442 | ||
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Author | Burns, Lori | ||||
Title | Framing the Female Voice in Doom Metal: Formal and Sonic Elements in The Gathering’s “Strange Machines” (Mandylion, 1995) | Type | Book Chapter | ||
Year | 2023 | Publication | Analyzing Recorded Music: Collected Perspectives | Abbreviated Journal | |
Volume | Issue | Pages | 323–338 | ||
Keywords | The Gathering (band); Madylion (album); Female artists; Singing; Musicology | ||||
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Corporate Author | Thesis | ||||
Publisher | Routledge | Place of Publication | Editor ![]() |
Moylan, William; Burns, Lori; Alleyne, Mike | |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2396 | ||
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Author | Eckerström, Pasqualina | ||||
Title | The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria | Type | Book Chapter | ||
Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
Volume | Issue | Pages | |||
Keywords | Satanic Panic; Egypt; Iran; Syria | ||||
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Corporate Author | Thesis | ||||
Publisher | Lexington Books | Place of Publication | London | Editor ![]() |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2437 | ||
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Author | Hamma, Amine; Trott, Brian | ||||
Title | Satan Wasn’t There: The Perseverance of the Moroccan Metal Scene | Type | Book Chapter | ||
Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
Volume | Issue | Pages | 369-386 | ||
Keywords | Morocco; Sociology | ||||
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Corporate Author | Thesis | ||||
Publisher | Lexington Books | Place of Publication | London | Editor ![]() |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2440 | ||
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Author | Rahadianto Sutopo, Oki; Aryo Lukisworo, Agustinus | ||||
Title | Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene | Type | Book Chapter | ||
Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
Volume | Issue | Pages | 351-368 | ||
Keywords | Indonesia; Sociology | ||||
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Corporate Author | Thesis | ||||
Publisher | Lexington Books | Place of Publication | London | Editor ![]() |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2439 | ||
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Author | González-Martínez, Susana | ||||
Title | An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South | Type | Book Chapter | ||
Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
Volume | Issue | Pages | 33-66 | ||
Keywords | Global South; Women; Feminism | ||||
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Corporate Author | Thesis | ||||
Publisher | Lexington Books | Place of Publication | London | Editor ![]() |
Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2424 | ||
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