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Knox, J. Ashes against the grim: Black metal and the grim rebirth of Romanticism. In J. Rovira (Ed.), Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms (pp. 235–258). s.l.: Palgrave Macmillan.
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Baker, C., & Brown, B. (2016). Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis. Journal of Medical Humanities, 37, 1–17.
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Varas-Díaz, N. (2012). El sujeto criminal sónico: heavy metal y el reto a la normativa social dominante. In S. Serrano (Ed.), Registros criminológicos contemporáneos (pp. 207–240). San Juan: SITUM.
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Piper, J. (2013). Locating Experiential Richness in Doom Metal. Ph.D. thesis, University of California, San Diego, San Diego.
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Varas-Díaz, N., Mendoza, S., & Rivera, A. (2015). La cultura de la música heavy metal como fenómeno social. Boletín Asociación de Psicología de Puerto Rico, 38(1), 4–6.
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McFerran, K. (2014). Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence. International Journal of Community Music, 7(2), 205–222.
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Kneer, J., & Rieger, D. (2015). “The Memory Remains”: How Heavy Metal Fans Buffer Against the Fear of Death. Psychology of Popular Media Culture, 5(3), 1–15.
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Gracyk, T. (2016). Heavy Metal: Genre? Style? Subculture? Philosophy Compass, 11, 775–785.
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Angeler, D. (2017). Heavy Metal Music Meets Complexity and Sustainability Science. SpringerPlus, 5, 1–20.
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Rivero-Vadillo, A. (2022). Greening Black Metal: The EcoGothic Aesthethics of Botanist’s Lyrics. Ecozon@, 13(1), 106–124.
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