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Špoljarić, B. (2021). The Goat-God Motif in Heavy Metal Music: The Relevance and Meaning of the God Pan in the Black Metal Project – Arckanum. Studia Polensia, 10(1), 87–114.
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Vunić, K. (2021). Milton Goes (Progressive-Power) Metal: Symphony X and Milton’s “Paradise Lost” (Critique and Textual Analysis). Studia Polensia, 10(1), 115–139.
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Suran, T. (2021). Beyond the Expression of Nihilism in Black Metal. Studia Polensia, 10(1), 141–148.
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Medina, J. S. (2017). Leather, spikes, and chains. The influenec of gay culture in punk, hard rock, and heavy metal music. self published: Amazon.
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Miller, J. (2021). What Makes Heavy Metal “Heavy”? The Journal of Aesthetics and Art Criticism, 80(1), 70–82.
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Marjenin, P. A. (2014). The Metal Folk: The Impact of Music and Culture on Folk Metal and the Music of Korpiklaani. Master's thesis, Kent State University, Kent.
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Reis Alecrim, T. (2021). The Day of Doom Has Come: A representação do mal, a indústria cultural e a cultura da participação na produção do Sepultura (1984-1987). Master's thesis, Universidade de São Paulo, São Paulo.
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Varas-Díaz, N., Hickam, B., González-Martínez, S., Castañeda, M., Galicia Poblet, F., Nieves Molina, A., et al. (2022). “Toda la sangre formando un río”. Contributions to the histories of metal music studies from the Spanish-speaking world. Metal Music Studies, 8(1), 47–68.
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Valijärvi, R. - L. (2022). Cultural trauma in the lyrics of the Estonian folk metal band Metsatöll. metal music studies, 8(1), 7–27.
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James, K. E., & Walsh, R. J. (2022). Masculinity and underground music scene participation across time: A case study from Indonesia. Metal Music Studies, 8(1), 29–46.
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