| Records |
| Author |
Burke, David |
| Title |
Esoteric Symbolism in Doom Metal |
Type |
Book Whole |
| Year |
2016 |
Publication |
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Abbreviated Journal |
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| Volume |
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Issue |
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Pages  |
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| Keywords |
Rhetoric; Motifs; Doom metal; Esoterism |
| Abstract |
“By contrast, this study will focus on the way in which (some, but not all) doom metal artistsincorporate three cultural ideas into their works; horror, the occult, and the psychedelic. Whilstmuch of metal focuses on horror and monsters, particularly death metal, doom metal's use of moreesoteric material separates it from much of the larger metal genre, and connects it to an eclecticrange of cultural and musical influences. Doom metal's use of such paradigms has not beenexamined thus far, but there is much to be learned from such study; these cultural trends areintegral to understanding the history of esotericism and countercultural practice. In this study I willdefine each of those three cultural ideas, as well as further considering the cultural discourses thatcompose doom metal, and defining which styles within the genre are of the most interest. I will thenanalyse a range of music, album art and interviews with musicians, aiming to pinpoint how, and forwhat purpose, each band incorporates those elements into their style. Further, I will investigate howthese musicians and their works form part of larger zeitgeists (particularly that of esotericism), andwill consider how these artists, in different times and places, have come to utilise similar symbolsand ideas. These commonalities between musicians, I will argue, shows doom metal to be a 'glocal'musical phenomenon that has the ability to utilise a wide variety of cultural ideas and artifacts invariegated situations.” (from 4th page of introduction) |
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Thesis |
Bachelor's thesis |
| Publisher |
University of Southampton |
Place of Publication |
Southampton |
Editor |
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| Language |
en |
Summary Language |
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| Notes |
BA (History) Degree |
Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ burke_esoteric_2016 |
Serial |
442 |
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| Author |
Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
| Title |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
Type |
Book Chapter |
| Year |
2020 |
Publication |
Heavy Metal Music In Argentina: in black we are seen |
Abbreviated Journal |
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Issue |
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Pages |
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| Keywords |
Latin America; Non-Western scenes; Argentina; Global South |
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Thesis |
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| Publisher |
University of Chicago Press |
Place of Publication |
Chicago |
Editor |
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel |
| Language |
English |
Summary Language |
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Original Title |
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Series Title |
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Series Issue |
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Edition |
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ISBN |
978-1-78938-299-0 |
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| Notes |
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Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ scaricaciottoli_introduction_2020 |
Serial |
733 |
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| Author |
Hudson, Stephen S. |
| Title |
Compound AABA Form and Style Distinction in Heavy Metal |
Type |
Journal Article |
| Year |
2021 |
Publication |
Music Theory Online |
Abbreviated Journal |
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| Volume |
27 |
Issue |
1 |
Pages |
n.p. |
| Keywords |
Musicology |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2083 |
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| Author |
Beckwith, Karl |
| Title |
”Black Metal is for white people” constructs of colour and identity within the Extreme Metal scene |
Type |
Journal Article |
| Year |
2002 |
Publication |
Colour |
Abbreviated Journal |
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| Volume |
5 |
Issue |
3 |
Pages |
n.-p. |
| Keywords |
Black Metal; Race |
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Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ beckwith_black_2002 |
Serial |
991 |
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Journal Article |
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Approved |
no |
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UCM - CAM @ amaranta.saguar.garcia @ aguirre_politica_2013 |
Serial |
1596 |
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| Author |
Baert, Sébastien |
| Title |
Cthulhu metal: H. P. Lovecraft : l’influence du mythe |
Type |
Book Whole |
| Year |
2019 |
Publication |
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Abbreviated Journal |
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Issue |
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Pages |
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| Keywords |
Lovecraft |
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| Publisher |
Bragelonne |
Place of Publication |
Paris |
Editor |
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| Language |
French |
Summary Language |
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Series Title |
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ISBN |
979-10-281-0632-4 |
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| Notes |
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Approved |
no |
| Call Number |
UCM - CAM @ amaranta.saguar.garcia @ baert_cthulhu_2019 |
Serial |
1853 |
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| Author |
Kauppila, Olli Sakari |
| Title |
“Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal |
Type |
Book Whole |
| Year |
2020 |
Publication |
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Abbreviated Journal |
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Identity |
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Thesis |
Master's thesis |
| Publisher |
University of Helsinki |
Place of Publication |
Helsinki |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2013 |
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| Author |
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
| Title |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
Type |
Journal Article |
| Year |
2020 |
Publication |
Musicae Scientiae |
Abbreviated Journal |
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| Volume |
OnlineFirst |
Issue |
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Pages |
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| Keywords |
Extreme Metal; Violence; Emotion; Passion |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2036 |
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| Author |
Garza, Jose M. |
| Title |
Transcending Time (Feels): Riff Types, Timekeeping Cymbals, and Time Feels in Contemporary Metal Music |
Type |
Journal Article |
| Year |
2021 |
Publication |
Music Theory Online |
Abbreviated Journal |
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| Volume |
27 |
Issue |
1 |
Pages |
n.p. |
| Keywords |
Musicology |
| Abstract |
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Place of Publication |
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Editor |
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| Language |
en |
Summary Language |
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| Notes |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2078 |
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| Author |
Hagen, Katharina |
| Title |
“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as a Contrary Version of The [First] Book of Urizen |
Type |
Journal Article |
| Year |
2021 |
Publication |
Blake / an Illustrated Quarterly |
Abbreviated Journal |
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| Volume |
54 |
Issue |
3 |
Pages |
n.p. |
| Keywords |
Bruce Dickinson; Intertextuality; William Blake (poet) |
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Approved |
no |
| Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2084 |
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