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Calaça, G. E., Nascimento, L. A., & Diniz, A. M. (2018). Na trilha do metal: a construção de terriotorialidades das bandas de heavy metal em Belo Horizonte nos anos 1980 / On metal tracts: the construction of terriotorialities of heavy metal bands in Belo Horizonte during the 1980s. Caderno de Geografia, 28(54), 650–673.
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Dairianathan, E. I. (2009). Vedic metal and the South Indian community in Singapore: problems and prospects of identity. Inter-Asia Cultural Studies, 10(4), 585–608.
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Levine, M. (2009). Doing the Devil’s Work: Heavy Metal and the Threat to Public Order in the Muslim World. Social Compass, 56(4), 564–576.
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Hutabarat, F., & Kusumah, I. R. A. (2015). Market Development Using Community Shared Values: The Story Of Burgerkill. In T. - M. Karjalainen, & K. Kärki (Eds.), Modern Heavy Metal: Markets, Practices and Cultures (pp. 532–543). Helsinki & Turku: Aalto University & International Institute for Popular Culture.
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Lee, D. W. (2018). ‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal. Metal Music Studies, 4(3), 531–548.
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Nagy, T. (2018). Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community. Metal Music Studies, 4(3), 507–530.
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Hecker, P. (2010). Heavy Metal in the Middle East: New Urban Spaces in a Translocal Underground. In A. Bayat, & L. Herrera (Eds.), Being Young and Muslim: New Cultural Politics in the Global South and North (pp. 415–434). Oxford: Oxford University Press.
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Maclachlan, H. (2016). (Mis)representation of Burmese metal music in the western media. Metal Music Studies, 2(3), 395–404.
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Wallach, J. (2010). Distortion drenched dystopias: metal and modernity in Southeast Asia. In N. Scott (Ed.), The metal void: first gatherings (pp. 357–366). Oxford: Inter-Disciplinary Press.
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Dairianathan, E. (2013). Vedic metal and e-mediated space: a perspective from Singapore. Asian Journal of Communication, 23(4), 348–367.
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