| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
| Lee, Dennis William |
‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal |
2018 |
Metal Music Studies |
4 |
531-548 |
| Smialek, Eric T. |
Genre and Expression in Extreme Metal Music, Ca. 1990-2015 |
2016 |
|
|
346 |
| Snaza, Nathan; Netherton, Jason |
Community at the extremes: The death metal underground as being-in-common |
2016 |
Metal Music Studies |
2 |
341-356 |
| Vasan, Sonia |
The Price of Rebellion: Gender Boundaries in the Death Metal Scene |
2011 |
Journal for Cultural Research |
15 |
333-349 |
| Gehlke, David E. |
Turned Inside Out: : The Official Story of Obituary |
2022 |
|
|
328 |
| Netherton, Jason |
Extremity Reframed: Exhuming Death Metal’S Analog Origins |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
309-318 |
| Kazdan, Alanna |
Textural applications of power chords in Scandinavian death metal |
2017 |
Metal Music Studies |
3 |
269-321 |
| Chaker, Sarah |
Extreme music for extreme people: black and death metal put to the test in a comparative empirical study |
2010 |
The metal void: first gatherings |
|
265-278 |
| Riekki, Matti |
Täältä Pohjoiseen: Sentencedin Tarina |
2014 |
|
|
262 |
