| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
| Rekedal, Jacob Eric |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
2015 |
|
|
418 |
| Scheiner, Christian W.; Hüper, Nick |
For Those About to Rock – Social Media Best Practices from Wacken Open Air |
2017 |
Social Computing and Social Media. Human Behavior |
|
362-378 |
| Castillo Bernal, Stephen |
Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México |
2015 |
|
|
343 |
| Morton, Mark; Opipari, Ben |
Desolation: A Heavy Metal Memoir |
2024 |
|
|
320 |
| Herbst, Jan-Peter (ed) |
The Cambridge Companion to Metal Music |
2023 |
|
|
320 |
| Sabbath, Juan |
Bienvenidos al Sabbath: Crónicas, Reseñas y Reflexiones en Torno a la Vigencia del Underground, 2001–2021 |
2021 |
|
|
312 |
| Yepes Aguirre, Jimmy Renzo |
Política cultural neoliberal y la música heavy metal en la ciudad de Huánuco, Perú, 1990-2010 |
2013 |
Investigaciones Sociales |
17 |
279-290 |
| Pack, Christian |
Hellbound in El Salvador: Heavy Metal as a Philosophy of Life in Central America |
2018 |
|
|
233 |
| Baltazar, Lídia Maria Ferrão |
Are Heavy Metal Music Bands-Musicians, Managers of Their Own Music Business?: A Multiple Case Study: Portuguese vs. Finnish Bands |
2013 |
|
|
216 |
