| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
| Moores, JR |
Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present |
2021 |
|
|
480 |
| Hudson, Stephen S. |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
2021 |
Metal Music Studies |
7 |
475-478 |
| Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
| Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
| Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
| Rekedal, Jacob Eric |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
2015 |
|
|
418 |
| Thomas, Samuel |
The Devil's Party. Metal and Literature |
2022 |
The Routledge Companion to Music and Modern Literature |
|
406-415 |
| González-Martínez, Susana |
The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice |
2022 |
Metal Music Studies |
8 |
401-421 |
| Lukes, Daniel; Panayotov, Stanimir (eds) |
Black Metal Rainbows |
2021 |
|
|
400 |
