| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Hoad, Catherine |
Beer, Blokes And Brutality: Whiteness And Banal Nationalism In Australian Extreme Metal Scenes |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
300-308 |
| Mora-Rioja, Arturo |
“We Are the Dead”: The War Poets, metal music and chaos control |
2021 |
Metal Music Studies |
7 |
299-315 |
| Souza, Renan Marchesini de Quadros |
A performance dialógica da música extrema |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
298-313 |
| Riches, Gabby |
Sensuous Entanglements, Assemblages And Convergences: Extreme Metal Scenes As ‘Sensory Communities’ |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
265-273 |
| Jocson-Singh, Joan |
Vigilante feminism as a form of musical protest in extreme metal music |
2019 |
Metal Music Studies |
5 |
263-273 |
| Vasan, Sonia |
Gender and Power in the Death Metal Scene: A Social Exchange Perspective |
2016 |
Global metal music and culture: current directions in metal studies |
|
261-276 |
| Villalobos Albornoz, Omar |
“Pampa endiablada” y extreme metal: sociología visual y hermenéutica del diseño |
2015 |
Revista de Estudios Cotidianos |
3 |
253-286 |
| Patterson, Jamie E. |
‘Getting My Soul Back’: Empowerment Narratives and Identities among Women in Extreme Metal in North Carolina |
2016 |
Global metal music and culture: current directions in metal studies |
|
245-260 |
| Unger, Matthew P. |
Ode to a dying God: Debasement of Christian symbols in extreme metal |
2019 |
Metal Music Studies |
5 |
243-262 |
| Dairianathan, Eugene |
The Burden of Song: Vedic Metal in Singapore |
2012 |
Journal of Creative Communications |
7 |
243-260 |
