| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Miller, Diana |
Creative Producers and Gender Relations: A Field Analysis of Two Grassroots Music Scenes |
2016 |
|
|
205 |
| Roby, David Allen |
Crust Punk: An Anarchist Political Epistemology |
2021 |
|
|
204 |
| Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
| Yang, Zixuan |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
2019 |
|
|
179 |
| Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
| Miller, Michael Brian |
Nicodemus! The beds are burning again: The ascension of Gorgomath |
2016 |
|
|
163 |
| Hughes, Mairead |
Is affiliation with alternative subcultures associated with self-harm? |
2017 |
|
|
145 |
| Hereld, Diana Christine |
Musical Intensity in Affect Regulation: Uncovering Hope and Resilience Through Heavy Music |
2016 |
|
|
141 |
| Kennedy, Lewis F. |
Intersections of genre, heritage and place un the New Wave of American Heavy Metal |
2021 |
Music and Heritage: New Perspectives on Place-making and Sonic Identity |
|
126-135 |
| Polzer, Evan |
Mosh Pits and Mental Health: Metal Communities and Emerging Adults' Well-Being |
2017 |
|
|
122 |
