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Epp, A. (2011). Heavy Metal und Islam – ein Antagonismus? Zur Rezeption und Verbreitung des Heavy Metals in Staaten der MENA. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 343–356). Münster: Lit.
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Castillo Bernal, S. (2015). Música del Diablo: imaginario, dramas sociales y ritualidades de la escena metalera de la ciudad de México. Colección Etnología y Antropología Social. Mexico: Instituto Nacional de Antropología e Historia.
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Hecker, P. (2010). Heavy metal in a muslim context: the rise of the Turkish metal underground. In N. Scott (Ed.), The metal void: first gatherings (pp. 341–356). Oxford: Inter-Disciplinary Press.
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Chiu, H., & de Seta, G. (2017). Headbanging in Taiwan. Metal Music Studies, 3(2), 335–343.
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Azevedo, C. (2010). Metal in Rio de Janeiro 1980’s-2008: an overview. In N. Scott (Ed.), The metal void: first gatherings (pp. 331–340). Oxford: Inter-Disciplinary Press.
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Horváth, F. S. (2011). Protest, Provokation und Peer-Group-Bildung. Heavy Metal in Ungarn und seine Rezeption in Siebenbürgen in den 1980er Jahren. In R. F. Sascha, & H. Schwaab (Eds.), ”Metal matters”. Heavy Metal als Kultur und Welt (pp. 329–342). Münster: Lit.
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Avelar, I. (2003). Heavy Metal Music in Postdictatorial Brazil: Sepultura and the Coding of Nationality in Sound. Journal of Latin American Cultural Studies, 12(3), 329–346.
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Foster, L. (2011). The Rhetoric of Heavy Metal Resistance: Musical Modalities in Iraqi Public Life. Middle East Journal of Culture and Communication, 4(3), 320–338.
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Bendrups, D. (2011). Nako: the metal in the marrow of Easter Island music. In J. Wallach, H. M. Berger, & P. D. Greene (Eds.), Metal rules the globe: heavy metal music around the world (pp. 313–332). Durham: Duke University Press.
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Banchs, E. (2016). Swahili-tongued devils: Kenya’s heavy metal at the crossroads of identity. Metal Music Studies, 2(3), 311–324.
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