|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Callaway, Charles |
I See The Horse |
2016 |
|
|
490 |
|
|
Moores, JR |
Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present |
2021 |
|
|
480 |
|
|
Hudson, Stephen S. |
Thirty-one years later: A review of Metallica’s “Black Album” and its legacy on alternative metal and alt-right politics |
2021 |
Metal Music Studies |
7 |
475-478 |
|
|
Zulfiningrum, Rahmawati; Almayda, Sabian Ray Dhista |
Metal Music as a Medium of Da'wah Communication (Album “7:172” Band Purgatory) |
2023 |
Riwayat: Educational Journal of History and Humanities, |
6 |
468-477 |
|
|
Herbst, Jan-Peter |
Culture-specific production and performance characteristics: An interview study with “Teutonic” metal producers |
2021 |
Metal Music Studies |
7 |
445-467 |
|
|
Swiniartzki, Marco |
Szene-Eliten. Selbststilisierung, soziale Praxis und postmoderne Ästhetisierung am Beispiel des norwegischen Black Metals |
2021 |
Archiv für Sozialgeschichte |
61 |
445-472 |
|
|
Thomas, Niall |
Innovation and tradition in metal music production |
2021 |
Metal Music Studies |
7 |
423-443 |
|
|
Rekedal, Jacob Eric |
Warrior Spirit: From Invasion to Fusion Music in the Mapuche Territory of Southern Chile |
2015 |
|
|
418 |
|
|
Thomas, Samuel |
The Devil's Party. Metal and Literature |
2022 |
The Routledge Companion to Music and Modern Literature |
|
406-415 |
|
|
González-Martínez, Susana |
The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice |
2022 |
Metal Music Studies |
8 |
401-421 |
|