Home [1–10] << 11 12 13 14 15 16 17 18 19 20 >> [21–30]
List View
 | 
Citations
 | 
Details
   web
Records
Author Nevárez Araújo, Daniel; Manuel Gagneux
Title Misusing Things in Metal Music: A Dialogue Type Book Chapter
Year 2023 Publication Defiant Sounds. Heavy Metal Music in the Global South Abbreviated Journal
Volume Issue Pages (down) 201-218
Keywords Interview; Zeal & Ardor (band)
Abstract
Address
Corporate Author Thesis
Publisher Lexington Books Place of Publication London Editor Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2431
Permanent link to this record
 
 
Author Gutiérrez, Julio César
Title Imágenes Reflejo del Ajayu del Under Boliviano Type Book Chapter
Year 2022 Publication El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano Abbreviated Journal
Volume Issue Pages (down) 201-242
Keywords Bolivia; Underground
Abstract
Address
Corporate Author Thesis
Publisher Ediciones Jichha Place of Publication La Paz Editor Tapia, Reynaldo; Mendoza, Boris
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2489
Permanent link to this record
 
 
Author Swist, Jeremy J.
Title Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music Type Book Chapter
Year 2021 Publication İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! Abbreviated Journal
Volume Issue Pages (down) 200-229
Keywords Byzantine Empire; History
Abstract
Address
Corporate Author Thesis
Publisher İstanbul Araştırmaları Enstitüsü Yayınları Place of Publication Istanbul Editor Künyeleri, Eser
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2237
Permanent link to this record
 
 
Author Khalil, Lucas Martins Gama (UNIR)
Title A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. Type Journal Article
Year 2017 Publication Miguilim: Revista Eletrônica do Netlli. Abbreviated Journal
Volume 6 Issue 2 Pages (down) 198-218
Keywords Qualidade de voz, Gutural, Death metal; Voice quality, Guttural, Death metal.
Abstract O gênero musical death metal, subdivisão do heavy metal, tem como característica o emprego de uma voz urrada, distorcida e pouco compreensível. No âmbito da música, essa qualidade de voz é denominada “gutural”, nomenclatura que faz referência, de maneira ampla, a perceptíveis tensões na região da garganta (por isso, “gutural”) observadas por falantes que empregam essa técnica. Tendo em vista que, em estudos sobre qualidade de voz, não existem muitas descrições que abordam tal produção, objetivamos realizar alguns apontamentos que contribuam para a caracterização acústica e articulatória da voz gutural. Para isso, apresentaremos alguns aspectos introdutórios do conceito de qualidade de voz (LAVER, 1980) e, adicionalmente, referências a estudos que possam contribuir para a nossa proposta, como os de Sakakibara et al. (2004) e de Smialek et al. (2012). Além disso, analisaremos espectrogramas da voz empregada nas canções Crucifier Avenged e Hammer Smashed Face, ambas da banda Cannibal Corpse, com o objetivo de descrever as peculiaridades acústicas da voz gutural.
Address http://periodicos.urca.br/ojs/index.php/MigREN/issue/view/84
Corporate Author Thesis
Publisher Núcleo de Estudos de Teoria Linguística e Literária (NETLLI) [Linguistics and Literary Theory Research Group] at Universidade Regional do Cariri, Brazil. Place of Publication http://periodicos.urca.br/ojs/index.php/MigREN Editor
Language español Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN 2317-0433 ISBN Medium PDF (no longer available)
Area Expedition Conference
Notes Open access: https://creativecommons.org/licenses/by/3.0/ Approved no
Call Number INTech @ brianhickam2019 @ Serial 2402
Permanent link to this record
 
 
Author Hill, Rosemary Lucy
Title When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music Type Journal Article
Year 2022 Publication Samples. Open Access Journal for Popular Music Studies Abbreviated Journal
Volume 20 Issue Pages (down) 197-210
Keywords Methodology
Abstract This article is a slightly updated version of the article of the same name published in Metal Music Studies 7 (2), 197-210 (2021), with permission from the editor.
Address
Corporate Author Thesis
Publisher Place of Publication Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2348
Permanent link to this record
 
 
Author Burns, Lori
Title Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) Type Book Chapter
Year 2020 Publication Popular Musicology and Identity: Essays in Honour of Stan Hawkins Abbreviated Journal
Volume Issue Pages (down) 196–217
Keywords Masculinity; Pain of Salvation (band); Disease
Abstract
Address
Corporate Author Thesis
Publisher Routledge Place of Publication Editor Hansen, Kai Arne; Askeroi, Eirik; Jarman, Freya
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2398
Permanent link to this record
 
 
Author Scheller, Jörg; Neuffer, Jochen
Title Make Metal Small Again Type Book Whole
Year 2023 Publication Abbreviated Journal
Volume Issue Pages (down) 193
Keywords
Abstract <<Metalbands stehen auf gewaltigen Bühnen, vor Verstärkertürmen und Tausenden wilder Fans. Sie trinken kübelweise Bier, rauschen in Tourbussen durch die Nacht und besingen Sex, Drogen und den Tod. Ihr größtes Ziel: Wacken. Alle Metalbands? Nein!

Eine kleine Metalband tingelt seit zwei Jahrzehnten über Dorffeste, Vereinsfeiern, Hochzeiten, Vernissagen und durch Geburtstagspartys. Sie hat keine Verstärker, keine Plattenfirma. Sie liefert annähernd CO2-neutralen Metal wie Pizza auf Bestellung und hätte einmal beinahe Angela Merkel beschallt. Sie singt nur übers Wetter und spielt im Sitzen, gediegen gekleidet und teetrinkend. Sie richtet sich gleichermaßen an Bildungsbürger, Mutbürger, Spießbürger. Ihr Name: Malmzeit. Ihr Genre: Kammermetal. Ihr Motto: Make Metal Small Again!

Tauchen Sie ein in die völlig irre Bandbiographie der kleinsten Metalband der Welt, verfasst von den Musikern selbst. Ein Buch voller bizarrer Ereignisse, das komplett erfunden sein könnte, wäre nicht jedes Wort wahr!>>

[Metal bands stand on huge stages, in front of amplifier towers and thousands of wild fans. They drink beer by the bucketful, rush through the night in tour buses and sing about sex, drugs and death. Your biggest goal: Wacken. All metal bands? No!

A small metal band has been playing at village festivals, club celebrations, weddings, openings and birthday parties for two decades. She has no amplifiers, no record company. It delivers almost CO2-neutral metal like pizza to order and once almost gave Angela Merkel sound. She just sings about the weather and plays while sitting, dressed dignified and drinking tea. It is aimed equally at educated citizens, courageous citizens and philistines. Her name: Malmzeit. Her genre: chamber metal. Their motto: Make Metal Small Again!

Immerse yourself in the completely crazy band biography of the smallest metal band in the world, written by the musicians themselves. A book full of bizarre events that could be completely made up if every word wasn't true!]

//

<<Produktbeschreibung: Ende der 1960er Jahre entwickelte sich der Hard Rock weiter zu noch härteren, schnelleren Klängen. Die ersten Alben von “Black Sabbath” gelten gemeinhin als die Geburtsstunde des Heavy Metal. Obwohl wiederholt totgesagt, ist diese Musikrichtung bis heute ungemein erfolgreich und hat sich in mehrere hundert Subgenres ausdifferenziert. Einst drückte die laute und aggressive Musik den Unmut der sozial Abgehängten am gesellschaftlichen Rand aus, doch inzwischen hören auch viele Akademiker und Wohlhabende Metal. Heute wie damals geht es für die eingefleischten Metal-Fans längst nicht nur um die Musik, sondern vielmehr um ein Lebensgefühl. Und so wird noch immer der Mythos vom Outlaw zelebriert, während die Szene schon längst mitten in der Gesellschaft angelangt ist, denn allein in Deutschland hören Millionen von Menschen diese Art Musik. Als globales Kulturphänomen zieht Heavy Metal mittlerweile mehr und mehr Aufmerksamkeit auf sich und entwickelt sich in Richtung Popkultur. Gleichzeitig beschäftigt sich die Szene oft mit Themen, die in der modernen Konsumkultur verdrängt werden. Themen wie etwa Gewalt, Angst und Tod. Jörg Scheller bringt es in der NZZ (06.07.2018) auf den Punkt: “Metal ist hart, weil das Leben hart ist und der Ponyhof nie weit entfernt vom Schlachthof. Dieser Sound fordert die Konfrontation mit der dunklen Seite, aber auch persönlichen Einsatz und Verantwortung. Erkenntnisse und Entscheidungen nimmt er niemandem ab. Stets muss Metal decodiert, interpretiert, diskutiert werden. Wie moderne Kunst ist er offen in der Bedeutung. Und genau deshalb umstritten.”

Insofern ist es keine Überraschung, dass dieses Phänomen auch an den Universitäten bereits seit mehreren Jahrzehnten von diversen Disziplinen erforscht wird. Eine Unzahl hochinteressanter Studien sind das Ergebnis. Allerdings werden diese meist ausschließlich in wissenschaftlichen Fachbüchern publiziert. Hier setzt unsere Reihe “Metalbook” an, die sich ganz gezielt an ein Sachbuchpublikum wendet und spannende Themen und Phänomene aus der Metal-Szene behandeln möchte.

Höchste Zeit also, die “Metalbooks” in unsere Buchläden zu bringen ...

>>

[Product description: At the end of the 1960s, hard rock continued to develop into even harder, faster sounds. Black Sabbath's first albums are generally considered to be the birth of heavy metal. Although it has repeatedly been declared dead, this style of music is still extremely successful today and has differentiated itself into several hundred subgenres. The loud and aggressive music once expressed the discontent of those left behind on the social margins, but now many academics and wealthy people also listen to metal. Today, as then, for die-hard metal fans it's not just about the music, but rather about an attitude to life. And so the myth of the outlaw is still celebrated, while the scene has long since reached the heart of society, because in Germany alone millions of people listen to this type of music. As a global cultural phenomenon, heavy metal is now attracting more and more attention and developing into pop culture. At the same time, the scene often deals with topics that are suppressed in modern consumer culture. Topics such as violence, fear and death. Jörg Scheller sums it up in the NZZ (July 6, 2018): “Metal is hard because life is hard and the pony farm is never far from the slaughterhouse. This sound demands confrontation with the dark side, but also personal commitment and He doesn't take responsibility for insights and decisions from anyone. Metal always has to be decoded, interpreted and discussed.

In this respect, it is no surprise that this phenomenon has been researched by various disciplines at universities for several decades. The result is a multitude of highly interesting studies. However, these are usually published exclusively in scientific textbooks. This is where our “Metalbook” series comes in, which is aimed specifically at a non-fiction audience and aims to cover exciting topics and phenomena from the metal scene.

So it's high time to bring the ”Metalbooks" into our bookstores...]

(Source: https://shop.kohlhammer.de/)
Address
Corporate Author Thesis
Publisher Kohlhammer Verlag Place of Publication Stuttgart, Baden-Württemberg, Germany Editor
Language German Summary Language Original Title
Series Editor Series Title MetalBook (Volume 2) Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 9783170434356 Medium Hardback
Area Expedition Conference
Notes Print; PDF eBook; ePub eBook Approved no
Call Number INTech @ brianhickam2019 @ Serial 2532
Permanent link to this record
 
 
Author Prown, Pete
Title Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World Type Book Whole
Year 2023 Publication Abbreviated Journal
Volume Issue Pages (down) 192
Keywords
Abstract “From metal pioneers like Black Sabbath’s Tony Iommi, Led Zeppelin’s Jimmy Page, and Deep Purple’s Ritchie Blackmore to today’s hottest shredders, thrashers, and riffers, Ultimate Heavy Metal Guitars is your guide to the instruments and musicians that made metal. Author and guitar journalist Pete Prown presents his subjects by metal-defining eras and subgenres, including: early metal, hard rock and arena rock, prog rock, Euro metal, hair metal, shred, thrash, and more.” (source: Amazon.com)
Address
Corporate Author Thesis
Publisher Motorbooks Place of Publication Editor
Language English Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 0760377758; 978-0760377758 Medium
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2515
Permanent link to this record
 
 
Author Nevárez Araújo, Daniel; Susane Hécate
Title An Interview on “Contar/Cantar Memórias da Resistência” Type Book Chapter
Year 2023 Publication Defiant Sounds. Heavy Metal Music in the Global South Abbreviated Journal
Volume Issue Pages (down) 189-200
Keywords Interview; Miasthenia (band)
Abstract
Address
Corporate Author Thesis
Publisher Lexington Books Place of Publication London Editor Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2430
Permanent link to this record
 
 
Author Shipley, Gary J.
Title Non-Terminator: Rise of the drone gods Type Book Chapter
Year 2017 Publication Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism Abbreviated Journal
Volume Issue Pages (down) 188-201
Keywords Drone Metal
Abstract
Address
Corporate Author Thesis
Publisher Void Front Press Place of Publication St. Louis Editor Coggins, Owen; Harris, James
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2183
Permanent link to this record