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Nevárez Araújo, D., & Manuel Gagneux. (2023). Misusing Things in Metal Music: A Dialogue. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 201–218). London: Lexington Books.
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Gutiérrez, J. C. (2022). Imágenes Reflejo del Ajayu del Under Boliviano. In R. Tapia, & B. Mendoza (Eds.), El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano (pp. 201–242). La Paz: Ediciones Jichha.
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Swist, J. J. (2021). Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music. In E. Künyeleri (Ed.), İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! (pp. 200–229). Istanbul: İstanbul Araştırmaları Enstitüsü Yayınları.
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Khalil, L. M. G.(U. N. I. R.). (2017). A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. Miguilim: Revista Eletrônica do Netlli., 6(2), 198–218.
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Hill, R. L. (2022). When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music. Samples. Open Access Journal for Popular Music Studies, 20, 197–210.
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Burns, L. (2020). Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017). In K. A. Hansen, E. Askeroi, & F. Jarman (Eds.), Popular Musicology and Identity: Essays in Honour of Stan Hawkins (196–217). Routledge.
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Scheller, J., & Neuffer, J. (2023). Make Metal Small Again. MetalBook (Volume 2). Stuttgart, Baden-Württemberg, Germany: Kohlhammer Verlag.
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Prown, P. (2023). Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World. Motorbooks.
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Nevárez Araújo, D., & Susane Hécate. (2023). An Interview on “Contar/Cantar Memórias da Resistência”. In D. Nevárez Araújo, N. Varas-Díaz, J. Wallach, & E. Clinton (Eds.), Defiant Sounds. Heavy Metal Music in the Global South (pp. 189–200). London: Lexington Books.
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Shipley, G. J. (2017). Non-Terminator: Rise of the drone gods. In O. Coggins, & J. Harris (Eds.), Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism (pp. 188–201). St. Louis: Void Front Press.
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