| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Swist, Jeremy J. |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
2021 |
İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
|
200-229 |
| Khalil, Lucas Martins Gama (UNIR) |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
2017 |
Miguilim: Revista Eletrônica do Netlli. |
6 |
198-218 |
| Hill, Rosemary Lucy |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
2022 |
Samples. Open Access Journal for Popular Music Studies |
20 |
197-210 |
| Burns, Lori |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
2020 |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
|
196–217 |
| Scheller, Jörg; Neuffer, Jochen |
Make Metal Small Again |
2023 |
|
|
193 |
| Prown, Pete |
Ultimate Heavy Metal Guitars: The Guitarists Who Rocked the World |
2023 |
|
|
192 |
| Nevárez Araújo, Daniel; Susane Hécate |
An Interview on “Contar/Cantar Memórias da Resistência” |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
189-200 |
| Shipley, Gary J. |
Non-Terminator: Rise of the drone gods |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
188-201 |
| Burkhardt, Guga |
Arte extrema para olhos atentos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
187-202 |
| Rosa, Hartmut |
When Monsters Roar and Angels Sing: Eine kleine Soziologie des Heavy Metal |
2023 |
|
|
187 |
