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Author |
Watier, Nicholas |
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Title |
Threat cues in metal's visual code |
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Journal Article |
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Year |
2022 |
Publication |
Metal Music Studies |
Abbreviated Journal |
metal music studies |
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8 |
Issue |
2 |
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205-223 |
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Keywords |
Aesthetics; Album covers; Threat |
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2052-3998 |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2317 |
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Author |
McFerran, Katrina |
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Title |
Metal Made Me Who I Am: Seven Adult Men Reflect on Their Engagement with Metal Music During Adolescence |
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Year |
2014 |
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International Journal of Community Music |
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7 |
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2 |
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205-222 |
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Sociology |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2331 |
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Author |
Roby, David Allen |
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Title |
Crust Punk: An Anarchist Political Epistemology |
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Book Whole |
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Year |
2021 |
Publication |
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Pages |
204 |
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Keywords |
Affect; Anarchism; Clothing; Cultural anthropology; Crust punk; Heavy Metal Music; Political science; Punk rock music; Reggae; Tattoos; Transiency |
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Abstract |
The Sex Pistols’ 1976 anthem, “Anarchy in the UK,” memorialized an ongoing relationship between anarchism and punk rock music. Although scholars of punk music have long documented the relationship between leftist or progressive politics in punk music scenes, they have not interrogated the content and sources of anarchist politics, often taking for granted the relationship between anarchism and punk. This dissertation examines the anarchist politics of a particular genre of punk, called “crust punk,” which is a blend of punk and heavy metal. Like most music subcultures, the crust punk scene is much more than musical sounds; it is associated with a particular lifestyle as well. Crust punks’ choices to drop out of society and live in squats or on the streets, I argue, are political. This dissertation combines ethnomusicological methods with a field of study called “political epistemology” from political science that seeks to understand the origins and composition of political ideas. I combine these two approaches to examine crust punk political ideas: where they come from, how they are shared within the scene, and in what ways they can be considered “anarchist.” I conclude that crust punk represents a form of what I theorize as “vernacular anarchism” that arises from precarious forms of existence, is formulated in everyday life experiences, and is given substance through affective and emotional responses to the poetics of crust punk song texts. |
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Ph.D. thesis |
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University of California, Davis |
Place of Publication |
Ann Arbor |
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INTech @ brianhickam2019 @ |
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2199 |
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Author |
Campoy, Leonardo Carbonieri |
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Title |
As revelações da escuridão: o show no underground do heavy metal extremo como um ritual |
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Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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Pages |
203-221 |
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Keywords |
Ritual; Performance; Extreme Metal |
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Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2363 |
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Author |
Shakespeare, Steven |
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Title |
Drone construction. Philosophy of identity in Conan's “Horseback Battle Hammer” |
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Book Chapter |
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Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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202-213 |
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Keywords |
Drone Metal; Conan (band); Horseback battle hammer (album); Identity |
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Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2184 |
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Author |
Nevárez Araújo, Daniel; Manuel Gagneux |
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Title |
Misusing Things in Metal Music: A Dialogue |
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Book Chapter |
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Year |
2023 |
Publication |
Defiant Sounds. Heavy Metal Music in the Global South |
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Pages |
201-218 |
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Keywords |
Interview; Zeal & Ardor (band) |
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Lexington Books |
Place of Publication |
London |
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Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2431 |
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Author |
Gutiérrez, Julio César |
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Title |
Imágenes Reflejo del Ajayu del Under Boliviano |
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Book Chapter |
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Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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201-242 |
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Bolivia; Underground |
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Ediciones Jichha |
Place of Publication |
La Paz |
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Tapia, Reynaldo; Mendoza, Boris |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
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2489 |
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Author |
Swist, Jeremy J. |
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Title |
Headbanging to Byzantium: The Reception of the Byzantine Empire in Heavy Metal Music |
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Book Chapter |
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Year |
2021 |
Publication |
İstanbul’da Bu Ne Bizantinizm! / What Byzantinism is this in Istanbul! |
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200-229 |
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Keywords |
Byzantine Empire; History |
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İstanbul Araştırmaları Enstitüsü Yayınları |
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Istanbul |
Editor |
Künyeleri, Eser |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2237 |
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Author |
Khalil, Lucas Martins Gama (UNIR) |
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Title |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
Type |
Journal Article |
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Year |
2017 |
Publication |
Miguilim: Revista Eletrônica do Netlli. |
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6 |
Issue |
2 |
Pages |
198-218 |
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Keywords |
Qualidade de voz, Gutural, Death metal; Voice quality, Guttural, Death metal. |
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Abstract |
O gênero musical death metal, subdivisão do heavy metal, tem como característica o emprego de uma voz urrada, distorcida e pouco compreensível. No âmbito da música, essa qualidade de voz é denominada “gutural”, nomenclatura que faz referência, de maneira ampla, a perceptíveis tensões na região da garganta (por isso, “gutural”) observadas por falantes que empregam essa técnica. Tendo em vista que, em estudos sobre qualidade de voz, não existem muitas descrições que abordam tal produção, objetivamos realizar alguns apontamentos que contribuam para a caracterização acústica e articulatória da voz gutural. Para isso, apresentaremos alguns aspectos introdutórios do conceito de qualidade de voz (LAVER, 1980) e, adicionalmente, referências a estudos que possam contribuir para a nossa proposta, como os de Sakakibara et al. (2004) e de Smialek et al. (2012). Além disso, analisaremos espectrogramas da voz empregada nas canções Crucifier Avenged e Hammer Smashed Face, ambas da banda Cannibal Corpse, com o objetivo de descrever as peculiaridades acústicas da voz gutural. |
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http://periodicos.urca.br/ojs/index.php/MigREN/issue/view/84 |
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Núcleo de Estudos de Teoria Linguística e Literária (NETLLI) [Linguistics and Literary Theory Research Group] at Universidade Regional do Cariri, Brazil. |
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http://periodicos.urca.br/ojs/index.php/MigREN |
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español |
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2317-0433 |
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PDF (no longer available) |
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Open access: https://creativecommons.org/licenses/by/3.0/ |
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INTech @ brianhickam2019 @ |
Serial |
2402 |
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Author |
Hill, Rosemary Lucy |
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Title |
When Love and Critique Collide. Methodology, Ontology, Fandom and Standpoint in Metal Music |
Type |
Journal Article |
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Year |
2022 |
Publication |
Samples. Open Access Journal for Popular Music Studies |
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20 |
Issue |
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Pages |
197-210 |
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Keywords |
Methodology |
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Abstract |
This article is a slightly updated version of the article of the same name published in Metal Music Studies 7 (2), 197-210 (2021), with permission from the editor. |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2348 |
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