Home [1–10] << 11 12 13 14 15 16 17 18 19 20 >> [21–30]
List View
 | 
Citations
 | 
Details
   web
Records
Author Burkhardt, Guga
Title Arte extrema para olhos atentos Type Book Chapter
Year 2022 Publication Música Extrema: ruídos, imagens e sentidos Abbreviated Journal
Volume Issue Pages (down) 187-202
Keywords Art; Extreme Metal; Album Art
Abstract
Address
Corporate Author Thesis
Publisher Pimenta Cultural Place of Publication São Paulo Editor Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2362
Permanent link to this record
 
 
Author Rosa, Hartmut
Title When Monsters Roar and Angels Sing: Eine kleine Soziologie des Heavy Metal Type Book Whole
Year 2023 Publication Abbreviated Journal
Volume Issue Pages (down) 187
Keywords
Abstract <<Ehemals Musik junger Abgehängter und Outlaws, ist Heavy Metal heute mehr und mehr in der Mitte der Gesellschaft angekommen: Wohl mehr als 10 Millionen Deutsche hören Heavy Metal. Aber warum tun sie das? Was suchen und was finden sie in dieser Musik, die von Außenstehenden oft als purer Lärm empfunden wird? Warum wimmelt es im Heavy Metal nur so von Monstern und Teufeln – und wieso schweigen auch die Götter und die Engel nicht? Was erleben Metalfans, wenn sie ihre Musik hören – und welche Erfahrung treibt sie immer wieder ins Konzert? Wieso lesen sie ständig Musikzeitschriften und hören nicht auf, CDs zu kaufen? Wie ist es zu erklären, dass 40 Prozent der Metalfans behaupten, die Musik habe ihr Leben gerettet? Und warum ist Heavy Metal stärker als die Musikindustrie? Worum geht es im Heavy Metal wirklich? Diese Fragen und mehr beantwortet Hartmut Rosa in dieser kleinen Soziologie des Heavy Metal.>>

[Once the music of young socialites and outlaws, heavy metal has now become more and more mainstream in society: more than 10 million Germans listen to heavy metal. But why do they do this? What are they looking for and what do they find in this music, which outsiders often perceive as pure noise? Why is heavy metal so full of monsters and devils – and why don't the gods and angels stay silent either? What do metal fans experience when they listen to their music – and what experience drives them to go to concert again and again? Why do they keep reading music magazines and don't stop buying CDs? How can we explain the fact that 40 percent of metal fans claim that music saved their lives? And why is heavy metal stronger than the music industry? What is heavy metal really about? Hartmut Rosa answers these questions and more in this little sociology of heavy metal.]

//

<< Der Soziologe Hartmut Rosa überträgt in „When Monsters Roar and Angels Sing. Eine kleine Soziologie des Heavy Metal“ seine vieldiskutierte Resonanztheorie ganz konkret auf das praktische Beispiel Heavy Metal. Was suchen und was finden Menschen in dieser Musik? Und was kann die Gesellschaft von der Kulturströmung Heavy Metal lernen? “Heavy Metal ist für mich ein troziges 'Trotzdem!'”, so Hartmut Rosa. Wir haben mit dem bekennenden Metalfan zu seinem neuen Buch gesprochen.“ >>

[In “When Monsters Roar and Angels Sing. A Short Sociology of Heavy Metal,” the sociologist Hartmut Rosa specifically transfers his much-discussed resonance theory to the practical example of heavy metal. What are people looking for and what do they find in this music? And what can society learn from the heavy metal cultural movement? ”For me, heavy metal is a defiant 'Nevertheless!'" says Hartmut Rosa. We spoke to the self-confessed metal fan about his new book.]

(Source: https://shop.kohlhammer.de/)
Address
Corporate Author Thesis
Publisher Kohlhammer Verlag Place of Publication Stuttgart, Baden-Württemberg, Germany Editor
Language German Summary Language Original Title
Series Editor Series Title MetalBook (Volume 1) Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 9783170426481 Medium Hardback
Area Expedition Conference
Notes Print; PDF eBook; ePub eBook; Sonstiges Hörbuch/Audio-CD Approved no
Call Number INTech @ brianhickam2019 @ Serial 2531
Permanent link to this record
 
 
Author Carew, Francis
Title The Guitar Voice of Randy Rhoads Type Book Whole
Year 2018 Publication Abbreviated Journal
Volume Issue Pages (down) 186
Keywords Communication and the arts; Classical guitar; Guitar voice; Heavy metal; Music history; Musonia music; Osbourne, Ozzy; Rhoads, Randy
Abstract Randy Rhoads was an influential rock guitarist whose synthesis of musical influences had an impact on heavy metal. He developed a classically influenced guitar style that inspired new developments in the guitar’s virtuosic technique and harmonic and melodic language. The sound of heavy metal can be traced directly to his guitar style. Yet no definitive studies have been conducted on his guitar voice, synthesis of musical influences, or contribution to heavy metal music. This thesis is the first study to define the musical influences that make up Rhoads’s innovative guitar voice and playing style. It examines his early childhood, formal training, and influences, honing his skills in Quiet Riot, mastering his skills on Blizzard of Ozz , and mastering his skills on Diary of a Madman . It provides a look at his guitar voice through his adaptation, synthesis, and implementation of musical influences by conducting a detailed musical analysis of the formal, harmonic, rhythmic, and melodic aspects of the songs on Blizzard of Ozz and Diary of a Madman.

The examination of his guitar voice and playing style is provided by the following materials: CDs, DVDs, books, scholarly journals, master’s theses and doctoral dissertations, and transcriptions of songs on Blizzard of Ozz and Diary of a Madman. The aim of this thesis is to demonstrate that Rhoads’s guitar voice and playing style are classically influenced and a synthesis of different musical styles. It advocates that his playing style pushed the hard rock music envelope create a new approach to guitar playing that led to a more refined version of the music. It suggests that Rhoads’s musical approach and mindset in the 1980s: classical-style virtuosity, harmony and melody, and acoustic guitar was important to the development of the heavy metal sound, therefore placing him in the historical annals of popular music.
Address
Corporate Author Thesis Master's thesis
Publisher Wayne State University Place of Publication Ann Arbor Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 978-0-438-01846-4 Medium
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2207
Permanent link to this record
 
 
Author Friconnet, Guillaume
Title Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features Type Journal Article
Year 2022 Publication Metal Music Studies Abbreviated Journal metal music studies
Volume 8 Issue 2 Pages (down) 183-203
Keywords Genre; Subgenre; Taxonomy
Abstract
Address
Corporate Author Thesis
Publisher Place of Publication Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN 2052-3998 ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2316
Permanent link to this record
 
 
Author Burns, Lori
Title Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity’s ‘Uniformity,’ Directed by Patric Ullaeus Type Book Chapter
Year 2019 Publication The Bloomsbury Handbook to Popular Music Video Analysis Abbreviated Journal
Volume Issue Pages (down) 183-200
Keywords Dark Tranquility (band); Videoclips; Extreme metal
Abstract
Address
Corporate Author Thesis
Publisher Bloomsbury Academic Place of Publication Editor Burns, Lori; Hawkins, Stan
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2399
Permanent link to this record
 
 
Author Guberman, Daniel
Title Massive Scar Era, Heavy Metal, and Two Tyrannies Type Book Chapter
Year 2018 Publication Tyrannny and Music Abbreviated Journal
Volume Issue Pages (down) 183-198
Keywords
Abstract
Address
Corporate Author Thesis
Publisher Lexington Books Place of Publication New York Editor Joseph E. Morgan; Gregory N. Reish
Language English Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 9781498546812 (hardback); 9781498546829 (eBook) Medium
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2513
Permanent link to this record
 
 
Author Tzu-Han Cheng; Chen-Gia Tsai
Title emale Listeners’ Autonomic Responses to Dramatic Shifts Between Loud and Soft Music/Sound Passages: A Study of Heavy Metal Songs Type Journal Article
Year 2016 Publication Frontiers in Psychology Abbreviated Journal
Volume 7 Issue Pages (down) art. 182
Keywords Gender; Psychology; Emotion
Abstract
Address
Corporate Author Thesis
Publisher Place of Publication Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2313
Permanent link to this record
 
 
Author Yang, Zixuan
Title Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society Type Book Whole
Year 2019 Publication Abbreviated Journal
Volume Issue Pages (down) 179
Keywords Service design; Subculture; Music; Heavy metal; Marketing; Business strategy
Abstract Since the first album that Black Sabbath released in 1970, the 50-year-long history of heavy metal music makes it has developed into a diversified but controversial subculture all over the world. Even though several big names, such as Metallica, Iron Maiden or Judas Priest, have gained commercial success and mainstream exposure, most of the heavy metal bands, fans and communities are still far from a stable status. The market scale is threatened by poor social acceptance and incorrect stereotypes and is too limited to develop an operational model for heavy metal music communities as mature as mainstream music production in this current state. The goal of this thesis is to: 1) explore the core value of heavy metal subculture and design an organizational strategy to strengthen the connection between various roles within the community. The research was divided into three parts. The first part is the quantitative research on the development of heavy metal music in different regions, shows the regional trends of heavy metal subculture. The second part is the qualitative evaluation of heavy metal albums’ covers and lyrics, and documentary films about heavy metal music. The third part is the interviews with record shop owners. The first part Borrowing the CIS (Corporation Identity System) from the business field, the data collected during the second stage could be categorized into visual identities, communication identities, and behavior identities. The data collected from interviews are organized into a system map to show the current organizational strategy. The conclusion, this thesis proposes a new type of organizational strategy that supports the local heavy metal subculture community, in order to help stabilize the market and strengthen connections of community members through participation in it. Furthermore, inspired by the proposed strategy, more universal strategies and guidelines for other types of subculture are discussed.
Address
Corporate Author Thesis Master's thesis
Publisher University of Cincinnati Place of Publication Ann Arbor Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 9781687936882 Medium
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2200
Permanent link to this record
 
 
Author Johnson, Henry
Title Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) Type Journal Article
Year 2014 Publication Island Studies Journal Abbreviated Journal
Volume 9 Issue 1 Pages (down) 176-178
Keywords
Abstract
Address
Corporate Author Thesis
Publisher Institute of Island Studies, University of Prince Edward Island Place of Publication Canada Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Open Access Approved no
Call Number INTech @ brianhickam2019 @ Serial 2229
Permanent link to this record
 
 
Author Reis Alecrim, Thales
Title PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) Type Journal Article
Year 2023 Publication História e Cultura Abbreviated Journal
Volume 12 Issue 2 Pages (down) 175-197
Keywords Sepultura (band); Pessimism; Future; Capitalism; Neoliberalism
Abstract
Address
Corporate Author Thesis
Publisher Place of Publication Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2545
Permanent link to this record