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| Author | Whalen, Kayley Margarite | ||||
| Title | Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives | Type | Book Chapter | ||
| Year | 2024 | Publication | Heavy Metal and Disability. Crips, Crowds, and Cacophonies | Abbreviated Journal | |
| Volume | Issue | Pages  |
162-178 | ||
| Keywords | Disability; Neurodivergence; Goth scene; Narratives | ||||
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| Publisher | Intellect | Place of Publication | Bristol | Editor | Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
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| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2565 | ||
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| Author | Mouth | ||||
| Title | In the black depth of the droneswarm | Type | Book Chapter | ||
| Year | 2017 | Publication | Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism | Abbreviated Journal | |
| Volume | Issue | Pages |
160-187 | ||
| Keywords | Drone metal | ||||
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| Publisher | Void Front Press | Place of Publication | St. Louis | Editor | Coggins, Owen; Harris, James |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2182 | ||
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| Author | Pichler, Peter | ||||
| Title | “Breaking the Law...?” On the Role of Law and Legal References in the Cul- tural History of the Heavy Metal Scene in Styria since 1980 | Type | Journal Article | ||
| Year | 2022 | Publication | Austrian Law Journal | Abbreviated Journal | |
| Volume | 2 | Issue | Pages |
159-179 | |
| Keywords | Law; Asutrian scene | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2346 | ||
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| Author | Janotti Junior, Jeder | ||||
| Title | Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. | Type | Book Whole | ||
| Year | Publication | Abbreviated Journal | |||
| Volume | Issue | Pages |
156 | ||
| Keywords | eBook | ||||
| Abstract | O livro tem origem em um entre-lugar que abriga ao mesmo tempo pesquisa acadêmica sobre música e paixão pelo metal, transitando entre as discussões sobre gosto, gênero musical e afeto através de uma pergunta assombrosa: “o que é, afinal, música?” Este livro não teria sido possível sem o apoio do Conselho Nacional de Desenvolvimento Científico e Tecnológico, do Programa de Pós-Graduação em Comunicação da Universidade Federal de Pernambuco (UFPE) e dos partipantes do Laboratório de Análise de Música e Audiovisual Audiovisual (L.A.M.A.) |
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| Address | https://simplissimo.com.br/ | ||||
| Corporate Author | Thesis | ||||
| Publisher | Simplíssimo Livros Ltda | Place of Publication | Porto Alegre /RS - Brasil | Editor | |
| Language | Portuguese | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 8567125081; 9788567125084 | Medium | eBOOK | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2293 | ||
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| Author | Filho, Fábio ALexandre Tardelli; Barbosa, Rafaella Fraga; Rodrigues, Ketelyn Rocha; Lima, Anderson; Fiusa, Marcelo Henrique | ||||
| Title | Zines e cultura underground: uma análise fanoniana pelo Prolecast | Type | Book Chapter | ||
| Year | 2022 | Publication | Música Extrema: ruídos, imagens e sentidos | Abbreviated Journal | |
| Volume | Issue | Pages |
156-186 | ||
| Keywords | Fanzines; Prolecast (podcast); Frantz Fanon; Colonialism | ||||
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| Publisher | Pimenta Cultural | Place of Publication | São Paulo | Editor | Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2361 | ||
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| Author | Scienza, Roberto | ||||
| Title | O antipátria: ensaio de uma transvaloração dos valores no Black Metal | Type | Book Chapter | ||
| Year | 2021 | Publication | Diálogos com a música extrema | Abbreviated Journal | |
| Volume | Issue | Pages |
153-220 | ||
| Keywords | Black metal; Ethics | ||||
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| Publisher | editorafi.org | Place of Publication | Porto Alegre | Editor | Barchi, Rodrigo |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2163 | ||
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| Author | Olavarría Ginocchio, Ricardo | ||||
| Title | Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) | Type | Book Whole | ||
| Year | 2019 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages |
153 | ||
| Keywords | Música--Perú--Lima--Historia--1983-1989; Música rock--Perú--Lima--Historia--1983-1989; Música popular--Perú--Lima--Historia--1983-1989 | ||||
| Abstract | La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena. Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias. Además de confirmar las hipótesis de investigación, esta tesis muestra, primero, que los códigos musicales (en este caso del metal) influyeron en la realidad de los jóvenes que adoptaron dicho género como seña identitaria; y, segundo, que las particularidades de la escena metalera limeña respondieron a eventos y tendencias sociales, políticas y económicas propias de la realidad peruana. |
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| Address | Pontificia Universidad Católica del Perú, https://www.pucp.edu.pe/ | ||||
| Corporate Author | Pontificia Universidad Católica del Perú | Thesis | Master's thesis | ||
| Publisher | Pontificia Universidad Católica del Perú | Place of Publication | Lima, República del Perú | Editor | |
| Language | Spanish | Summary Language | Original Title | ||
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| Notes | Magíster en Historia. Creative common license: Atribución-NoComercial-CompartirIgual 2.5 Perú | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2280 | ||
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| Author | Mokrý, Matouš | ||||
| Title | The conference “Metal and Religion”, 7-8 September 2022, Brno | Type | Journal Article | ||
| Year | 2023 | Publication | Religio | Abbreviated Journal | |
| Volume | 31 | Issue | 1 | Pages |
153-156 |
| Keywords | Report; Conference | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2539 | ||
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| Author | Turley, Julie; Jocson-Singh, Joan | ||||
| Title | Heavy Music Mothers: Extreme Identities, Narrative Disruptions | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages |
152 | ||
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| Abstract | “Heavy Music Mothers: Extreme Identities, Narrative Disruptions is an exploration of women and heavy music and the ways in which women have historically engaged with musicking as mothers. Julie Turley and Joan Jocson-Singh, musicking mothers themselves, largely employ an ethnographic lens, foregrounded in powerful one-on-one original interviews as vignettes that narrate thematic patterns. Other chapters examine motherhood identity embedded in respective published rock music memoirs, discussions of rock performance as a site of maternal bonding, and themes that arise when heavy music mothers write about motherhood. Autoethnographic portions throughout give the book an intimate and personal tone: one such chapter presents the concept of vigilante motherhood within an auto-ethnographic context. The authors reference the book’s limitations, meditating on historically marginalized moms the authors predict and hope the focus will be on for the future. Heavy Music Mothers is a robust study of women and motherhood set within a music culture historically inhospitable to both women and mothers. This book, the first scholarly study of this topic, is just the beginning.” (Source: Rowman & Littlefield) |
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| Publisher | Lexington Books | Place of Publication | Lanham, Maryland | Editor | |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Extreme Sounds Studies: Global Socio-Cultural Explorations | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1666916153; 978-1666916157 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2530 | ||
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| Author | Hoad, Catherine | ||||
| Title | “Images and words”: Textual analysis and its uses for metal music studies | Type | Book Chapter | ||
| Year | Publication | The Bloomsbury Handbook of Popular Music and Youth Culture | Abbreviated Journal | ||
| Volume | Issue | Pages |
151-169 | ||
| Keywords | Textual analysis | ||||
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| Publisher | Bloomsbury Publishing | Place of Publication | New York; London; Dublin | Editor | Bennett, Andy |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2393 | ||
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