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| Author | Yang, Zixuan | ||||
| Title | Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society | Type | Book Whole | ||
| Year | 2019 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages  |
179 | ||
| Keywords | Service design; Subculture; Music; Heavy metal; Marketing; Business strategy | ||||
| Abstract | Since the first album that Black Sabbath released in 1970, the 50-year-long history of heavy metal music makes it has developed into a diversified but controversial subculture all over the world. Even though several big names, such as Metallica, Iron Maiden or Judas Priest, have gained commercial success and mainstream exposure, most of the heavy metal bands, fans and communities are still far from a stable status. The market scale is threatened by poor social acceptance and incorrect stereotypes and is too limited to develop an operational model for heavy metal music communities as mature as mainstream music production in this current state. The goal of this thesis is to: 1) explore the core value of heavy metal subculture and design an organizational strategy to strengthen the connection between various roles within the community. The research was divided into three parts. The first part is the quantitative research on the development of heavy metal music in different regions, shows the regional trends of heavy metal subculture. The second part is the qualitative evaluation of heavy metal albums’ covers and lyrics, and documentary films about heavy metal music. The third part is the interviews with record shop owners. The first part Borrowing the CIS (Corporation Identity System) from the business field, the data collected during the second stage could be categorized into visual identities, communication identities, and behavior identities. The data collected from interviews are organized into a system map to show the current organizational strategy. The conclusion, this thesis proposes a new type of organizational strategy that supports the local heavy metal subculture community, in order to help stabilize the market and strengthen connections of community members through participation in it. Furthermore, inspired by the proposed strategy, more universal strategies and guidelines for other types of subculture are discussed. | ||||
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Cincinnati | Place of Publication | Ann Arbor | Editor | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9781687936882 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2200 | ||
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| Author | Johnson, Henry | ||||
| Title | Music-making in the faroes: The experience of music-making in the faroes and making metal faroese (book review) | Type | Journal Article | ||
| Year | 2014 | Publication | Island Studies Journal | Abbreviated Journal | |
| Volume | 9 | Issue | 1 | Pages |
176-178 |
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| Publisher | Institute of Island Studies, University of Prince Edward Island | Place of Publication | Canada | Editor | |
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| Notes | Open Access | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2229 | ||
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| Author | Reis Alecrim, Thales | ||||
| Title | PRIMITIVE FUTURE: Metal, Tempo e Neoliberalismo na Produção Musical do Sepultura (1989) | Type | Journal Article | ||
| Year | 2023 | Publication | História e Cultura | Abbreviated Journal | |
| Volume | 12 | Issue | 2 | Pages |
175-197 |
| Keywords | Sepultura (band); Pessimism; Future; Capitalism; Neoliberalism | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2545 | ||
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| Author | Odell, Grace Kate | ||||
| Title | A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen | Type | Book Whole | ||
| Year | 2019 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages |
174 | ||
| Keywords | David Bowie; Communication and the arts; Ethnicity; Gender; Heavy metal; Nationality; Queen (band); Rock music; Sexuality; Theatricality | ||||
| Abstract | Many discussions of the rock band Queen (vocalist Freddie Mercury, guitarist Brian May, drummer Roger Taylor, and bassist John Deacon) reference their theatricality, yet few analyze what makes Queen’s music and performances theatrical. Through examining Queen’s theatricality from different angles, this thesis shows the different layers of Queen’s performativity and its relationship to identity. After an introductory chapter that surveys the literature about Queen, the second chapter of the thesis analyzes the theatricality of Queen’s music from a stylistic basis. The chapter begins by addressing Queen’s camp theatricality through their use of music hall, operetta, and musical theatre styles. It then addresses their drama-based theatricality through their use of opera and film music styles. The third chapter analyzes Queen’s performance of gender and sexuality through their use of different genres. It first discusses Queen’s participation in the genre of glam rock, in which they performed a more feminine persona, but were still understood as heterosexual. Then it explores Queen’s disco and funk influenced music and Mercury’s “castro clone” image as simultaneously a more masculine and more homosexual performance. Finally the chapter analyzes the various rock genres Queen used throughout their career in order to perform heterosexual masculinity, including hard rock, stadium rock, and heavy metal. The fourth chapter focuses primarily on Mercury’s performance of ethnicity and nationality through his music. Taking into account his history as a first-generation Parsi Zanzibarian who immigrated to London, it first looks at his and Queen’s expressions of “Britishness” through the figure of the British pop dandy and their use of the British national anthem. Then it turns to discussing the influence of Mercury’s Persian and African heritage on select songs. Finally, it examines religion as it relates to cultural identity, specifically Mercury’s Zoroastrian heritage and the ways he used the aesthetics of heavy metal to articulate his place within that religion. The fifth chapter concludes the thesis by taking a holistic view of how all of these layers of performativity operated simultaneously, endowing Queen’s music with a deep and complex sense of theatricality. |
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| Corporate Author | Thesis | Master's thesis | |||
| Publisher | University of Missouri | Place of Publication | Ann Arbor | Editor | |
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| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 978-1-392-27237-4 | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2203 | ||
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| Author | Jeray, Celina | ||||
| Title | Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal | Type | Journal Article | ||
| Year | 2021 | Publication | Anglica. An International Journal of English Studies | Abbreviated Journal | |
| Volume | 30 | Issue | 1 | Pages |
171-190 |
| Keywords | Glam metal; Sleaze metal; Hair metal; Masculinity | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2586 | ||
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| Author | Coronado, Jimmy | ||||
| Title | La influencia de la expresión de la música Metal en la identidad cultural de Tribus Urbanas de metaleros de la ciudad de La Paz | Type | Book Chapter | ||
| Year | 2022 | Publication | El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano | Abbreviated Journal | |
| Volume | Issue | Pages |
169-200 | ||
| Keywords | La Paz; Bolivia; Sociology | ||||
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| Publisher | Ediciones Jichha | Place of Publication | La Paz | Editor | Tapia, Reynaldo; Mendoza, Boris |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2488 | ||
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| Author | Swiniartzki, Marco | ||||
| Title | Why Florida?: Regional conditions and further development of the “Florida death metal” scene and the local public response (1984–1994) | Type | Journal Article | ||
| Year | 2021 | Publication | Journal of Popular Music Studies | Abbreviated Journal | |
| Volume | 33 | Issue | 3 | Pages |
168-193 |
| Keywords | US Scene (Florida); Death metal; Sociology | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2125 | ||
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| Author | Verne, Markus | ||||
| Title | Musikerfahrung und Kulturrelativismus: Heavy Metal in Madagaskar | Type | Book Chapter | ||
| Year | 2021 | Publication | Die Handlungsmacht ästhetischer Objekte | Abbreviated Journal | |
| Volume | Issue | Pages |
167-196 | ||
| Keywords | Non-Western Scenes; Africa; Madagascar | ||||
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| Publisher | De Gruyter | Place of Publication | Berlin | Editor | Schlitte, Annila; Verne, Markus; Wedekind, Gregor |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2244 | ||
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| Author | Trummer, Manuel | ||||
| Title | Highway to Hell: Das Satanische im Heavy Metal | Type | Book Whole | ||
| Year | 2024 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages |
166 | ||
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| Abstract | <<Produktbeschreibung: Schwarze Messen, Satanismus, Teufelskult – das Satanische hat im Rock 'n' Roll seit jeher einen festen Platz. Jedenfalls warnen konservative Kräfte bereits seit den 1950er Jahren vor dem teuflischen Einfluss der Rockmusik auf Jugend, Kultur und Gesellschaft. Seit den 1970er Jahren kultivierte der Heavy Metal ganz bewusst sein Image als “Teufelsmusik” und zieht bis heute vielfältige kreative Impulse aus dem Satanischen. Der Teufel selbst begegnet in Musik, Texten und Artworks als schillerndes, vielschichtig besetztes Symbol. Ob als schauerliche Horrorfigur, als provokanter Trickster oder als Idol in parareligiösen okkulten Systemen – er prägt die Ästhetik und Ideologie des Metal wie kaum eine andere Gestalt. Stets bleibt er dabei zugeich Spiegelbild sich verändernder soziokultureller Werte und Normen. >> [Product description: Black masses, Satanism, devil cult – the satanic has always had a firm place in rock 'n' roll. In any case, conservative forces have been warning about the devilish influence of rock music on youth, culture and society since the 1950s. Since the 1970s, heavy metal has consciously cultivated its image as “devil's music” and continues to draw diverse creative impulses from the satanic to this day. The devil himself appears in music, lyrics and artwork as a shimmering, multi-layered symbol. Whether as a gruesome horror figure, a provocative trickster or an idol in parareligious occult systems – he shapes the aesthetics and ideology of metal like no other figure. It always remains a reflection of changing socio-cultural values and norms.] |
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| Publisher | Kohlhammer Verlag | Place of Publication | Stuttgart, Baden-Württemberg, Germany | Editor | |
| Language | German | Summary Language | Original Title | ||
| Series Editor | Series Title | MetalBook (Volume 3) | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 9783170420748 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2533 | ||
| Permanent link to this record | |||||
| Author | Charbonnier, Corentin | ||||
| Title | Hellfest et Hellstats : enjeux de la connaissance du public tant pour les organisateurs que pour une réflexion socioanthropologique | Type | Book Chapter | ||
| Year | 2020 | Publication | French metal studied: Approches différenciées des acteurs et des publics | Abbreviated Journal | |
| Volume | Issue | Pages |
163-180 | ||
| Keywords | France; Festival | ||||
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| Publisher | Corentin Charbonnier | Place of Publication | Editor | Charbonnier, Corentin; Salvat, Ëmilie; Goebel, Julien | |
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| ISSN | ISBN | 978-2-9558789-7-2 | Medium | ||
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| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ charbonnier_hellfest_2020 | Serial | 1992 | ||
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