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Author | Miller, Michael Brian | ||||
Title | Nicodemus! The beds are burning again: The ascension of Gorgomath | Type | Book Whole | ||
Year | 2016 | Publication | Abbreviated Journal | ||
Volume | Issue | Pages | 163 | ||
Keywords | Communication and the arts; Chamber; Concerto; Heavy metal; Musical composition; Narrative; Orchestra; Piano | ||||
Abstract | Nicodemus! The Beds are Burning Again: The Ascension of Gorgomath is a 22-minute concerto for piano and chamber orchestra that explores the use of narrative as a means of unifying disparate musical languages into a cohesive single-movement structure. The narrative, as implied by the fourteen programmatic indicators within the score, features a protagonist, Nicodemus, and an antagonist, Gorgomath. Additional contrasting elements essential to the plot are: the burning beds, outer space, the ultimate weapon, and the three rituals. The programmatic indicators, to be listed in the program, function as a framework from which the listener can fabricate their own version of the story. The narrative begins with “The beds are burning,” a heavy-metal inspired musical theme characterized by a pervasive rhythmic structure interspersed with virtuosic piano displays. Full orchestral forces add to the intensity of a relentless motor rhythm heard first in the piano. Following “Ritual I,” a transitionary theme of soli strings and piano, Nicodemus’s theme develops, a musical antithesis to “The Burning Beds” theme. It employs a simple melodic loop over a basic four-chord harmonic structure, reminiscent of 8-bit video game themes, and is voiced as piano accompanied by tremolo in the woodwinds and strings. Nicodemus’s journey into space begins with a rapid deceleration in tempo. The following slow ternary form includes a funerary dirge bookended by the piece’s most lyrical piano writing, expressed by the rise and fall of melodic octaves. The pounding neo-Shostakovian strings of “Ritual II” transition directly into the development section, “Nicodemus seeks the ultimate weapon.” Nicodemus’s theme undergoes significant transformation, assuming the guise of stride piano and North Indian tabla music. These styles are unique to this section, as is their orchestration of high, sustained winds alternating with orchestral hits between low strings and percussion. The piece’s recapitulation, “Meanwhile…,” begins with a return of the burning beds. Here, “Gorgomath’s Theme,” identifiable by the instability of its 7/16 motor rhythm is briefly foreshadowed. It appears in its entirety in the coda, “Boss Battle.” The resulting work uses original narrative to blend polystylistic elements into a cohesive single movement structure with a dramatic musical arc. |
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Corporate Author | Thesis | Doctoral thesis | |||
Publisher | University of Missouri - Kansas City | Place of Publication | Editor | ||
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Series Volume | Series Issue | Edition | |||
ISSN | ISBN | 978-1-339-70801-0 | Medium | ||
Area | Expedition | Conference | |||
Notes | Approved | no | |||
Call Number | INTech @ brianhickam2019 @ | Serial | 2222 | ||
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Author | Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward | ||||
Title | Lost in the field: Lessons from metal music studies fieldwork in the Global South | Type | Journal Article | ||
Year | 2022 | Publication | Metal Music Studies | Abbreviated Journal | |
Volume | 8 | Issue | 2 | Pages | 163-182 |
Keywords | Non-Western scenes; Global South; Ethno-Journalism; Ethnography | ||||
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Series Volume | Series Issue | Edition | |||
ISSN | 2052-3998 | ISBN | Medium | ||
Area | Expedition | Conference | |||
Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2315 | ||
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Author | Calvo, Manuela Belén | ||||
Title | Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases | Type | Book Chapter | ||
Year | 2023 | Publication | Defiant Sounds. Heavy Metal Music in the Global South | Abbreviated Journal | |
Volume | Issue | Pages | 163-186 | ||
Keywords | Argentina; Gender; Coloniality | ||||
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Publisher | Lexington Books | Place of Publication | London | Editor | Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2429 | ||
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Author | Wallach, Jeremy | ||||
Title | REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist | Type | Book Chapter | ||
Year | 2023 | Publication | Sounding Out the State of Indonesian Music | Abbreviated Journal | |
Volume | Issue | Pages | 162-179 | ||
Keywords | Indonesia; Politics | ||||
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Publisher | Cornell University Press | Place of Publication | Ithaca | Editor | Miller, Christopher J.; McGraw, Andrew |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2442 | ||
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Author | Whalen, Kayley Margarite | ||||
Title | Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives | Type | Book Chapter | ||
Year | 2024 | Publication | Heavy Metal and Disability. Crips, Crowds, and Cacophonies | Abbreviated Journal | |
Volume | Issue | Pages | 162-178 | ||
Keywords | Disability; Neurodivergence; Goth scene; Narratives | ||||
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Publisher | Intellect | Place of Publication | Bristol | Editor | Shadrack, Jasmine Hazel; Kahn-Harris, Keith |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2565 | ||
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Author | Rodríguez Molinari, María Ximena | ||||
Title | In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal | Type | Book Chapter | ||
Year | 2020 | Publication | Heavy Metal Music in Latin America: Perspectives from the Distorted South | Abbreviated Journal | |
Volume | Issue | Pages | 161-182 | ||
Keywords | Uruguay; Dictatorship; History (metal music); Latin America; Non-Western scenes | ||||
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Corporate Author | Thesis | ||||
Publisher | Lexington Books | Place of Publication | Lanham | Editor | Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2020 | ||
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Author | Mouth | ||||
Title | In the black depth of the droneswarm | Type | Book Chapter | ||
Year | 2017 | Publication | Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism | Abbreviated Journal | |
Volume | Issue | Pages | 160-187 | ||
Keywords | Drone metal | ||||
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Corporate Author | Thesis | ||||
Publisher | Void Front Press | Place of Publication | St. Louis | Editor | Coggins, Owen; Harris, James |
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2182 | ||
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Author | Pichler, Peter | ||||
Title | “Breaking the Law...?” On the Role of Law and Legal References in the Cul- tural History of the Heavy Metal Scene in Styria since 1980 | Type | Journal Article | ||
Year | 2022 | Publication | Austrian Law Journal | Abbreviated Journal | |
Volume | 2 | Issue | Pages | 159-179 | |
Keywords | Law; Asutrian scene | ||||
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Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2346 | ||
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Author | Janotti Junior, Jeder | ||||
Title | Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. | Type | Book Whole | ||
Year | Publication | Abbreviated Journal | |||
Volume | Issue | Pages | 156 | ||
Keywords | eBook | ||||
Abstract | O livro tem origem em um entre-lugar que abriga ao mesmo tempo pesquisa acadêmica sobre música e paixão pelo metal, transitando entre as discussões sobre gosto, gênero musical e afeto através de uma pergunta assombrosa: “o que é, afinal, música?” Este livro não teria sido possível sem o apoio do Conselho Nacional de Desenvolvimento Científico e Tecnológico, do Programa de Pós-Graduação em Comunicação da Universidade Federal de Pernambuco (UFPE) e dos partipantes do Laboratório de Análise de Música e Audiovisual Audiovisual (L.A.M.A.) |
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Address | https://simplissimo.com.br/ | ||||
Corporate Author | Thesis | ||||
Publisher | Simplíssimo Livros Ltda | Place of Publication | Porto Alegre /RS - Brasil | Editor | |
Language | Portuguese | Summary Language | Original Title | ||
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Series Volume | Series Issue | Edition | |||
ISSN | ISBN | 8567125081; 9788567125084 | Medium | eBOOK | |
Area | Expedition | Conference | |||
Notes | Approved | no | |||
Call Number | INTech @ brianhickam2019 @ | Serial | 2293 | ||
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Author | Filho, Fábio ALexandre Tardelli; Barbosa, Rafaella Fraga; Rodrigues, Ketelyn Rocha; Lima, Anderson; Fiusa, Marcelo Henrique | ||||
Title | Zines e cultura underground: uma análise fanoniana pelo Prolecast | Type | Book Chapter | ||
Year | 2022 | Publication | Música Extrema: ruídos, imagens e sentidos | Abbreviated Journal | |
Volume | Issue | Pages | 156-186 | ||
Keywords | Fanzines; Prolecast (podcast); Frantz Fanon; Colonialism | ||||
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Corporate Author | Thesis | ||||
Publisher | Pimenta Cultural | Place of Publication | São Paulo | Editor | Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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Area | Expedition | Conference | |||
Notes | Approved | no | |||
Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2361 | ||
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