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Author Miller, Michael Brian
Title Nicodemus! The beds are burning again: The ascension of Gorgomath Type Book Whole
Year 2016 Publication Abbreviated Journal
Volume Issue Pages (down) 163
Keywords Communication and the arts; Chamber; Concerto; Heavy metal; Musical composition; Narrative; Orchestra; Piano
Abstract Nicodemus! The Beds are Burning Again: The Ascension of Gorgomath is a 22-minute concerto for piano and chamber orchestra that explores the use of narrative as a means of unifying disparate musical languages into a cohesive single-movement structure. The narrative, as implied by the fourteen programmatic indicators within the score, features a protagonist, Nicodemus, and an antagonist, Gorgomath. Additional contrasting elements essential to the plot are: the burning beds, outer space, the ultimate weapon, and the three rituals. The programmatic indicators, to be listed in the program, function as a framework from which the listener can fabricate their own version of the story.

The narrative begins with “The beds are burning,” a heavy-metal inspired musical theme characterized by a pervasive rhythmic structure interspersed with virtuosic piano displays. Full orchestral forces add to the intensity of a relentless motor rhythm heard first in the piano. Following “Ritual I,” a transitionary theme of soli strings and piano, Nicodemus’s theme develops, a musical antithesis to “The Burning Beds” theme. It employs a simple melodic loop over a basic four-chord harmonic structure, reminiscent of 8-bit video game themes, and is voiced as piano accompanied by tremolo in the woodwinds and strings.

Nicodemus’s journey into space begins with a rapid deceleration in tempo. The following slow ternary form includes a funerary dirge bookended by the piece’s most lyrical piano writing, expressed by the rise and fall of melodic octaves. The pounding neo-Shostakovian strings of “Ritual II” transition directly into the development section, “Nicodemus seeks the ultimate weapon.” Nicodemus’s theme undergoes significant transformation, assuming the guise of stride piano and North Indian tabla music. These styles are unique to this section, as is their orchestration of high, sustained winds alternating with orchestral hits between low strings and percussion.

The piece’s recapitulation, “Meanwhile…,” begins with a return of the burning beds. Here, “Gorgomath’s Theme,” identifiable by the instability of its 7/16 motor rhythm is briefly foreshadowed. It appears in its entirety in the coda, “Boss Battle.”

The resulting work uses original narrative to blend polystylistic elements into a cohesive single movement structure with a dramatic musical arc.
Address
Corporate Author Thesis Doctoral thesis
Publisher University of Missouri - Kansas City Place of Publication Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 978-1-339-70801-0 Medium
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2222
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Author Goossens, Didier; Varas-Díaz, Nelson; Banchs, Edward
Title Lost in the field: Lessons from metal music studies fieldwork in the Global South Type Journal Article
Year 2022 Publication Metal Music Studies Abbreviated Journal
Volume 8 Issue 2 Pages (down) 163-182
Keywords Non-Western scenes; Global South; Ethno-Journalism; Ethnography
Abstract
Address
Corporate Author Thesis
Publisher Place of Publication Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN 2052-3998 ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2315
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Author Calvo, Manuela Belén
Title Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases Type Book Chapter
Year 2023 Publication Defiant Sounds. Heavy Metal Music in the Global South Abbreviated Journal
Volume Issue Pages (down) 163-186
Keywords Argentina; Gender; Coloniality
Abstract
Address
Corporate Author Thesis
Publisher Lexington Books Place of Publication London Editor Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2429
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Author Wallach, Jeremy
Title REFORMASI-ERA POPULAR MUSIC STUDIES: Reflections of an Anti-Anti-Essentialist Type Book Chapter
Year 2023 Publication Sounding Out the State of Indonesian Music Abbreviated Journal
Volume Issue Pages (down) 162-179
Keywords Indonesia; Politics
Abstract
Address
Corporate Author Thesis
Publisher Cornell University Press Place of Publication Ithaca Editor Miller, Christopher J.; McGraw, Andrew
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2442
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Author Whalen, Kayley Margarite
Title Goth Subculture, Neurodivergence, and the Dark Power of Changeling Narratives Type Book Chapter
Year 2024 Publication Heavy Metal and Disability. Crips, Crowds, and Cacophonies Abbreviated Journal
Volume Issue Pages (down) 162-178
Keywords Disability; Neurodivergence; Goth scene; Narratives
Abstract
Address
Corporate Author Thesis
Publisher Intellect Place of Publication Bristol Editor Shadrack, Jasmine Hazel; Kahn-Harris, Keith
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2565
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Author Rodríguez Molinari, María Ximena
Title In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal Type Book Chapter
Year 2020 Publication Heavy Metal Music in Latin America: Perspectives from the Distorted South Abbreviated Journal
Volume Issue Pages (down) 161-182
Keywords Uruguay; Dictatorship; History (metal music); Latin America; Non-Western scenes
Abstract
Address
Corporate Author Thesis
Publisher Lexington Books Place of Publication Lanham Editor Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2020
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Author Mouth
Title In the black depth of the droneswarm Type Book Chapter
Year 2017 Publication Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism Abbreviated Journal
Volume Issue Pages (down) 160-187
Keywords Drone metal
Abstract
Address
Corporate Author Thesis
Publisher Void Front Press Place of Publication St. Louis Editor Coggins, Owen; Harris, James
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2182
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Author Pichler, Peter
Title “Breaking the Law...?” On the Role of Law and Legal References in the Cul- tural History of the Heavy Metal Scene in Styria since 1980 Type Journal Article
Year 2022 Publication Austrian Law Journal Abbreviated Journal
Volume 2 Issue Pages (down) 159-179
Keywords Law; Asutrian scene
Abstract
Address
Corporate Author Thesis
Publisher Place of Publication Editor
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2346
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Author Janotti Junior, Jeder
Title Rock Me Like The Devil: A Assinatura Das Cenas E Das Identidades Metálicas. Type Book Whole
Year Publication Abbreviated Journal
Volume Issue Pages (down) 156
Keywords eBook
Abstract O livro tem origem em um entre-lugar que abriga ao mesmo tempo pesquisa acadêmica sobre música e paixão pelo metal, transitando entre as discussões sobre gosto, gênero musical e afeto através de uma pergunta assombrosa: “o que é, afinal, música?”

Este livro não teria sido possível sem o apoio do Conselho Nacional de Desenvolvimento Científico e Tecnológico, do Programa de Pós-Graduação em Comunicação da Universidade Federal de Pernambuco (UFPE) e dos partipantes do Laboratório de Análise de Música e Audiovisual Audiovisual (L.A.M.A.)
Address https://simplissimo.com.br/
Corporate Author Thesis
Publisher Simplíssimo Livros Ltda Place of Publication Porto Alegre /RS - Brasil Editor
Language Portuguese Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN 8567125081; 9788567125084 Medium eBOOK
Area Expedition Conference
Notes Approved no
Call Number INTech @ brianhickam2019 @ Serial 2293
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Author Filho, Fábio ALexandre Tardelli; Barbosa, Rafaella Fraga; Rodrigues, Ketelyn Rocha; Lima, Anderson; Fiusa, Marcelo Henrique
Title Zines e cultura underground: uma análise fanoniana pelo Prolecast Type Book Chapter
Year 2022 Publication Música Extrema: ruídos, imagens e sentidos Abbreviated Journal
Volume Issue Pages (down) 156-186
Keywords Fanzines; Prolecast (podcast); Frantz Fanon; Colonialism
Abstract
Address
Corporate Author Thesis
Publisher Pimenta Cultural Place of Publication São Paulo Editor Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo
Language Summary Language Original Title
Series Editor Series Title Abbreviated Series Title
Series Volume Series Issue Edition
ISSN ISBN Medium
Area Expedition Conference
Notes Approved no
Call Number UCM-CAM @ amaranta.saguar.garcia @ Serial 2361
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