| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Forshaw, Juliet |
Metal in Three Modes of Enmity: Political, Musical, Cosmic |
2011 |
Current Musicology |
91 |
139-160 |
| Rowe, Paula |
Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
137-162 |
| Overell, Rosemary |
Voicing the Real in Extreme Metal |
2021 |
Continental Thought & Theory |
3 |
136-163 |
| Kloeppel, Mark |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
|
|
|
136 |
| Franco, Edgar |
Projeto musical Ciberpajé: processos criativos de 3 EP’s pandêmicos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
135-155 |
| Fuertes, Fernando |
Underground Boliviano: Una nueva mirada a la escena metalera |
2022 |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
|
135-169 |
| Pichler, Peter |
Contours of an Interdisciplinary Debate – a Conclusion |
2024 |
The Law of the Metal Scene: An Interdisciplinary Discussion |
|
135-142 |
| Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
2015 |
Cultura pop |
|
131-150 |
| Miranda Bonilla, Sergio |
“Debajo de los cielos púrpura”: problematizando el metal desde la teología como estética trascendente |
2021 |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
|
128-136 |
| Caron, J.-P. |
On the transcendental aesthetics of time stretching |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
128-138 |
