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| Author | Hamma, Amine; Guibert, Gérome | ||||
| Title | De l’internationale-metal au conflit sociétal local : la scène de Casablanca. Entretien avec Amine Hamma | Type | Journal Article | ||
| Year | 2006 | Publication | Volume! La revue des musiques populaires | Abbreviated Journal | |
| Volume | 5 | Issue | 2 | Pages  |
153-177 |
| Keywords | Sociology; Morocco; Non-Western scenes | ||||
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| Language | fr | Summary Language | Original Title | ||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 1634-5495 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM - CAM @ amaranta.saguar.garcia @ hamma_linternationale-metal_2006 | Serial | 151 | ||
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| Author | Scienza, Roberto | ||||
| Title | O antipátria: ensaio de uma transvaloração dos valores no Black Metal | Type | Book Chapter | ||
| Year | 2021 | Publication | Diálogos com a música extrema | Abbreviated Journal | |
| Volume | Issue | Pages |
153-220 | ||
| Keywords | Black metal; Ethics | ||||
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| Publisher | editorafi.org | Place of Publication | Porto Alegre | Editor | Barchi, Rodrigo |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2163 | ||
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| Author | Olavarría Ginocchio, Ricardo | ||||
| Title | Entre la profesionalización y el underground. Inicios de la escena metalera en Lima (1983-1989) | Type | Book Whole | ||
| Year | 2019 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages |
153 | ||
| Keywords | Música--Perú--Lima--Historia--1983-1989; Música rock--Perú--Lima--Historia--1983-1989; Música popular--Perú--Lima--Historia--1983-1989 | ||||
| Abstract | La presente tesis tiene como objetivo analizar las razones que llevaron a un grupo de jóvenes limeños varones, en la década de los ochenta, a tocar metal, tanto en la variante de heavy metal tradicional como en la extrema, a la vez que busca explicar de qué manera las circunstancias de la realidad nacional, tanto económicas como sociales y políticas, influyeron en la constitución de dicho género musical como escena. Para ello, parto de dos hipótesis. Por un lado, en un contexto de globalización y desestructuración, estos jóvenes encuentran, en la oscuridad, pesadez y potencia del metal, un espacio en el que construir lazos sociales entre pares y afianzar estructuras paralelas de autonomía y poder. Por otro lado, la formación de la escena metalera se da primero en una etapa (1983-1985) de convivencia entre las bandas de metal y las de otros subgéneros del rock; y luego, en una segunda etapa (1986-1989), esta adquiere carácter independiente y se perfila en dos vertientes: una que busca la profesionalización, que eventualmente pierde terreno ante la crisis económica, y otra underground, que lograr sortear la crisis a partir de sus propios códigos, los cuales marcan el futuro de la escena. Con el fin de poner a prueba dichas hipótesis, realicé entrevistas a participantes de la escena de la época, consulté diversos periódicos, revistas y fanzines, además de fuentes secundarias. Además de confirmar las hipótesis de investigación, esta tesis muestra, primero, que los códigos musicales (en este caso del metal) influyeron en la realidad de los jóvenes que adoptaron dicho género como seña identitaria; y, segundo, que las particularidades de la escena metalera limeña respondieron a eventos y tendencias sociales, políticas y económicas propias de la realidad peruana. |
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| Address | Pontificia Universidad Católica del Perú, https://www.pucp.edu.pe/ | ||||
| Corporate Author | Pontificia Universidad Católica del Perú | Thesis | Master's thesis | ||
| Publisher | Pontificia Universidad Católica del Perú | Place of Publication | Lima, República del Perú | Editor | |
| Language | Spanish | Summary Language | Original Title | ||
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| Notes | Magíster en Historia. Creative common license: Atribución-NoComercial-CompartirIgual 2.5 Perú | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2280 | ||
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| Author | Mokrý, Matouš | ||||
| Title | The conference “Metal and Religion”, 7-8 September 2022, Brno | Type | Journal Article | ||
| Year | 2023 | Publication | Religio | Abbreviated Journal | |
| Volume | 31 | Issue | 1 | Pages |
153-156 |
| Keywords | Report; Conference | ||||
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2539 | ||
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| Author | Turley, Julie; Jocson-Singh, Joan | ||||
| Title | Heavy Music Mothers: Extreme Identities, Narrative Disruptions | Type | Book Whole | ||
| Year | 2023 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages |
152 | ||
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| Abstract | “Heavy Music Mothers: Extreme Identities, Narrative Disruptions is an exploration of women and heavy music and the ways in which women have historically engaged with musicking as mothers. Julie Turley and Joan Jocson-Singh, musicking mothers themselves, largely employ an ethnographic lens, foregrounded in powerful one-on-one original interviews as vignettes that narrate thematic patterns. Other chapters examine motherhood identity embedded in respective published rock music memoirs, discussions of rock performance as a site of maternal bonding, and themes that arise when heavy music mothers write about motherhood. Autoethnographic portions throughout give the book an intimate and personal tone: one such chapter presents the concept of vigilante motherhood within an auto-ethnographic context. The authors reference the book’s limitations, meditating on historically marginalized moms the authors predict and hope the focus will be on for the future. Heavy Music Mothers is a robust study of women and motherhood set within a music culture historically inhospitable to both women and mothers. This book, the first scholarly study of this topic, is just the beginning.” (Source: Rowman & Littlefield) |
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| Publisher | Lexington Books | Place of Publication | Lanham, Maryland | Editor | |
| Language | English | Summary Language | Original Title | ||
| Series Editor | Series Title | Extreme Sounds Studies: Global Socio-Cultural Explorations | Abbreviated Series Title | ||
| Series Volume | Series Issue | Edition | |||
| ISSN | ISBN | 1666916153; 978-1666916157 | Medium | Hardback | |
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2530 | ||
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| Author | Hoad, Catherine | ||||
| Title | “Images and words”: Textual analysis and its uses for metal music studies | Type | Book Chapter | ||
| Year | Publication | The Bloomsbury Handbook of Popular Music and Youth Culture | Abbreviated Journal | ||
| Volume | Issue | Pages |
151-169 | ||
| Keywords | Textual analysis | ||||
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| Publisher | Bloomsbury Publishing | Place of Publication | New York; London; Dublin | Editor | Bennett, Andy |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2393 | ||
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| Author | Tarazona Elvino, Luis Manuel | ||||
| Title | Características de la Identidad de Jóvenes que se reúnen entorno a la música Rock – Metal en la ciudad de Huancayo | Type | Book Whole | ||
| Year | 2009 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages |
150 | ||
| Keywords | Música Rock-Metal | ||||
| Abstract | En el Perú y los países de América Latina, se suceden los testimonios de búsqueda de una sociedad más inclusiva y democrática, sin embargo persisten problemas estructurales como el creciente deterioro económico, la corrupción en las esferas de poder, el descrédito de las instituciones políticas, el debilitamiento de los mecanismos de integración tradicional (la comunidad), generando una problemática compleja en el cual parecen ganar terreno la conformidad y la desesperanza. En este contexto, surgen formas organizativas y de expresión juveniles; una de estas es el espacio donde se congregan los jóvenes alrededor de la música rock metal, operando como punto de referencia, expresión y construcción de identidades. Sin embargo, no existe mucha información acerca de esta música y mucho menos tesis que hablen acerca de los jóvenes que lo practican. ' Por esta razón, el presente estudio está destinado a conocer como se convocan, organizan y construyen su identidad los jóvenes que se reúnen en torno a la música rock metal en la Ciudad de Huancayo. Para efecto de esta tesis, se recoge la información desde la observación participante y entrevistas a jóvenes varones y mujeres cultores de la música rock metal, así también a organizadores de conciertos y propietarios de discotiendas de música, salas de ensayo y centros donde realizan tatuajes. | ||||
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| Corporate Author | Thesis | Bachelor's thesis | |||
| Publisher | Universidad Nacional del Centro del Perú | Place of Publication | Huancayo, República del Perú | Editor | |
| Language | Spanish | Summary Language | Spanish | Original Title | |
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| Notes | Licenciado en Antropología | Approved | no | ||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2285 | ||
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| Author | Absentology | ||||
| Title | Summoning the black flame. Trepaneringsritualen's music and absolute emptiness | Type | Book Chapter | ||
| Year | 2017 | Publication | Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism | Abbreviated Journal | |
| Volume | Issue | Pages |
148-159 | ||
| Keywords | Drone metal | ||||
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| Publisher | Void Front Press | Place of Publication | St. Louis | Editor | Coggins, Owen; Harris, James |
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| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2181 | ||
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| Author | Hughes, Mairead | ||||
| Title | Is affiliation with alternative subcultures associated with self-harm? | Type | Book Whole | ||
| Year | 2017 | Publication | Abbreviated Journal | ||
| Volume | Issue | Pages |
145 | ||
| Keywords | Aesthetics; Behavioral psychology; Cultural anthropology; Emos; Goths; Heavy metal; Metaphysics; Population; Subcultures; Self destructive behavior; Self harm; Sociology; Suicides & suicide attempts; Systematic review; Young adults | ||||
| Abstract | This thesis focuses on the relationship between young people who affiliate with alternative subcultures and self-harm and/or suicide. Alternative subcultures can be described as groups that are distinct from 'mainstream' cultures. Affiliation with such groups can be broadly defined as having a strong collective identity to a group with specific values and tastes, typically centred around music preference, clothing, hairstyles, make-up, tattoos and piercings (Greater Manchester Police; GMP, 2013; Moore, 2005). Some alternative subcultures have also been associated with 'dark, sinister and morbid' themes, such as Goths, Emos, and Metallers (Young, Sproeber, Groschwitz, Preiss, & Plener, 2014). Self-harm can be defined as the deliberate act of harming oneself, with or without suicidal intent. This commonly involves cutting and self-poisoning (NICE, 2013). Other behaviours that can be described using this term include non-suicidal self-injury (NSSI; the intentional destruction of body tissue without suicidal intent) and suicidal behaviours such as suicidal ideation and attempts (self-harm with some intent to die; Klonsky & Muehlenkamp, 2007; Nock, Borges, Bromet, Cha, Kessler, & Lee, 2008). Some would argue that NSSI is distinct from self-harm, and as such it features as a disorder in the DSM-V as Non-Suicidal Self-Injury Disorder (NSSID; APA, 2013), however there remains some controversy over the latter (Kapur, Cooper, O'Connor, & Hawton, 2013). The associations between alternative subgroup affiliation and self-harm and/or suicide were explored through a systematic review and empirical research study using quantitative methodology. It is well documented in the literature that the prevalence of self-harm and suicide is particularly high in adolescents and young adults, with suicide being one of the leading causes of death in this population (Hawton, Saunders, & O'Connor, 2012; WHO, 2014). Self-harm has become a clinical and public health concern with up to 30,000 adolescents receiving hospital treatment each year (Hawton, Rodham, & Evans, 2006) and prevalence rates rising to between 7-14% for young people in the UK (Hawton & James, 2005; Skegg, 2005; Swannell, Martin, Page, Hasking, & St John, 2014). Minority groups are another population who appear to have elevated rates of self-harm, including Lesbian Gay Bisexual and Transgender (LGBT; Jackman, Honig, & Bockting, 2016), ethnic minorities (Bhui, McKnezie, & Rasul, 2007) and alternative subcultures (Young et al., 2014). However, there is a paucity of research into the latter population. This presented a gap to conduct a systematic review of the available literature in an attempt to understand the association between alternative subculture affiliation and self-harm and suicide. Chapter 1 describes the systematic process taken in an attempt to understand the links between alternative subculture affiliation and both self-harm and suicide. Ten studies were included which focused on self-harm and/or suicide and alternative identity through subculture affiliation (e.g. Goth) or music preference (e.g. Heavy Metal). The results indicated that there is an association between alternative subculture affiliation and self-harm and suicide, though the lack of research in the area and methodological limitations impact on the extent to which the underlying mechanisms can be understood. Leading on from the systematic review, Chapter 2 presents the empirical study which investigated the factors that might contribute to the increased risk of NSSI in alternative subcultures, specifically focusing on variables that have been found to be linked to NSSI in young people; emotion dysregulation, depression, identity confusion and exposure to self-harm. The aim of this study was to increase our understanding of the mechanisms involved that might explain this increased risk of NSSI. Alternative subcultures were found to be at a greater risk of NSSI in comparison to affiliations with other subcultures, though this association lessened when the other variables were accounted for. A key predictor of NSSI in this population was emotion dysregulation. The findings highlight the importance of raising awareness of the potential risk of self-harm/suicide in alternative subcultures in order to create a greater understanding and direct resources appropriately. |
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| Address | |||||
| Corporate Author | Thesis | Doctoral thesis | |||
| Publisher | University of Liverpool (United Kingdom) | Place of Publication | Ann Arbor | Editor | |
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| Notes | Approved | no | |||
| Call Number | INTech @ brianhickam2019 @ | Serial | 2211 | ||
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| Author | Tapia, Reynaldo; Mendoza, Boris | ||||
| Title | Hardcore punk as an effort to Indigenize the underground scene in La Paz during the neo-liberal era of resistance 1993‐2003 | Type | Journal Article | ||
| Year | 2022 | Publication | Metal Music Studies | Abbreviated Journal | |
| Volume | 8 | Issue | 2 | Pages |
143-161 |
| Keywords | Bolivia; Identity; Indigenism; Hardcore | ||||
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| Series Volume | Series Issue | Edition | |||
| ISSN | 2052-3998 | ISBN | Medium | ||
| Area | Expedition | Conference | |||
| Notes | Approved | no | |||
| Call Number | UCM-CAM @ amaranta.saguar.garcia @ | Serial | 2314 | ||
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