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Author |
Kloeppel, Mark |
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Title |
Unveiling Extreme Metal Festival Producers: The Emergence of Narrative Identities |
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136 |
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Keywords |
Communication and the arts; Social sciences; Extreme metal; Festivals; Narrative identity; Narrative inquiry; Tourism; Cultural resources management; Sociology; Labor relations |
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Abstract |
“Extreme Metal is a form of dark tourism and leisure activity whose artistic radicalism and underground scenes invoke intense debates from musicians as well as audiences. Traditional cultural studies have assumed that its disenfranchised and transgressive music expressions are an ideological resistance to increasing homogeneities of industrialized society. As such, considering the nature of festivals as a mechanism where culture is created and transmitted, the operations and promotions of Extreme Metal festivals are inevitably engaged in the wider cultural politics of Extreme Metal. The roles of festival producers thus must be emphasized, who act as powerful agents in engaging artists, developing audiences, arranging programs, and so forth. Indeed, no festivals can be simply described as improvised events – they are carefully programmed, planned, and constructed for audiences to hear and see. With this in mind, this study serves to explore the experiential predicament of these culturally embedded event producers.
In particular, the identities of the festival producers compose the focus of investigation for this research. That is, considering the contested contexts that are at play in shaping the very existence of Extreme Metal, the producers are constantly acting as intermediaries between these contexts. The discursive practice by which they give meaning to their festival production practices, contain profound dissonance between 'what they imagine their selves to be' and 'what they actually are’ as related to their turbulent ‘referential world’ of Extreme Metal festival production.
With this in mind, this study employs the theoretical framework of narrative identity in the examination of the ‘referential world’ by which identities are related. Narrative identity is considered as an approach to understand how people resolve themselves, life events, actions, and other forces in their life. Considering that a self, in narrative, is given meaning through the narrator’s relation of the self to their referential world, analyzing the narrative moments where conflicting contexts are at play provides a sensitization to the struggle of Extreme Metal cultural transgression within festival production. Specifically, it is learned how this tourism is considered ‘dark’. In doing so, three main research questions are asked: 1). How can we understand the festival producers’ identities as negotiated and emerged from the interview narratives? 2). In regards to the festival producers’ identities, what socio-cultural forces in relation to the apparatus of Extreme Metal are involved? 3). How do such findings illuminate the makings of tourism festivals at large?”
(Source: ProQuest Dissertations Publishing) |
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Master's thesis |
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University of Missouri-Columbia, Parks, Recreation, and Tourism Department |
Place of Publication |
Columbia, Missouri |
Editor |
Grace Yan |
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English |
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ProQuest publication number 11015334 |
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Call Number |
INTech @ brianhickam2019 @ |
Serial |
2518 |
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Author |
Agapit, Pierre; Mounier, Caroline |
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Title |
Réussir ? se démarquer au sein d’un secteur concurrentiel : l’expérience festivalière au service des festivals. Le cas du Motocultor Festival Open Air |
Type |
Book Chapter |
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Year |
2020 |
Publication |
French metal studied: Approches différenciées des acteurs et des publics |
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135-162 |
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Keywords |
France; Festival |
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Corentin Charbonnier |
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Charbonnier, Corentin; Salvat, Ëmilie; Goebel, Julien |
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978-2-9558789-7-2 |
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UCM - CAM @ amaranta.saguar.garcia @ charbonnier_reussir_2020 |
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1991 |
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Author |
Franco, Edgar |
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Title |
Projeto musical Ciberpajé: processos criativos de 3 EP’s pandêmicos |
Type |
Book Chapter |
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Year |
2022 |
Publication |
Música Extrema: ruídos, imagens e sentidos |
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Pages |
135-155 |
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Keywords |
Ciberpajé (project); Extreme Metal |
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Pimenta Cultural |
Place of Publication |
São Paulo |
Editor |
Bahy, Cristiane; dos Passos, Cristiano; Khalia, Lucas Martins Gama; Barchi, Rodrigo |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2360 |
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Author |
Fuertes, Fernando |
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Title |
Underground Boliviano: Una nueva mirada a la escena metalera |
Type |
Book Chapter |
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Year |
2022 |
Publication |
El Tejido de las cuerdas disonantes del metal en Bolivia: Análisis descriptivo e histórico del under boliviano |
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135-169 |
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Bolivia; Underground |
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Ediciones Jichha |
Place of Publication |
La Paz |
Editor |
Tapia, Reynaldo; Mendoza, Boris |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2487 |
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Author |
Pichler, Peter |
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Title |
Contours of an Interdisciplinary Debate – a Conclusion |
Type |
Book Chapter |
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Year |
2024 |
Publication |
The Law of the Metal Scene: An Interdisciplinary Discussion |
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Pages |
135-142 |
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Keywords |
Law |
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Kohlhammer |
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Stuttgart |
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no |
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UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2578 |
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Author |
Fernández Lozano, Miriela |
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Title |
The Metal Scene in Havana, Cuba: An Assessment of Its Cultural Development from 2007 to 2017 |
Type |
Book Chapter |
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Year |
2020 |
Publication |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
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Pages |
133-160 |
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Keywords |
Cuba; Non-Western scenes; History (metal music) |
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Lexington Books |
Place of Publication |
Lanham |
Editor |
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2019 |
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Author |
Holzbach, Ariane Diniz; Santos, Melina; Evangelista, Simone; Oliveira, Thaiane |
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Title |
Heavy Metal X Funk: disputas de gênero na cultura pop a partir do canal Mamilos Molengas |
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Book Chapter |
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Year |
2015 |
Publication |
Cultura pop |
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Pages |
131-150 |
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Keywords |
Video; Stereotypes; Parody; Quality |
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EDUFBA |
Place of Publication |
Salvador |
Editor |
Sá, Simone Pereira de; Carreiro, Rodrigo; Ferraz, Rogerio |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2477 |
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Author |
Kahn-Harris, Keith |
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Title |
“Roots”? the relationship between the global and the local within the Extreme Metal scene |
Type |
Book Chapter |
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Year |
2006 |
Publication |
The popular music studies reader |
Abbreviated Journal |
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Issue |
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Pages |
128-134 |
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Keywords |
Sociology; Extreme Metal; Globalization |
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Publisher |
Routledge |
Place of Publication |
Milton Park |
Editor |
Bennett, Andy; Shank, Barry; Toynbee, Jason |
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Language |
en |
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no |
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Call Number |
UCM - CAM @ amaranta.saguar.garcia @ kahn-harris_roots_2006 |
Serial |
1200 |
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Author |
Miranda Bonilla, Sergio |
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Title |
“Debajo de los cielos púrpura”: problematizando el metal desde la teología como estética trascendente |
Type |
Book Chapter |
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Year |
2021 |
Publication |
Para cruzar mil senderos: Primeras jornadas de debate por una nueva cultura pesada en el metal argentino y latinoamericano |
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Volume |
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Pages |
128-136 |
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Keywords |
Theology; Aesthetics; Topics |
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Publisher |
Clara Beter Ediciones |
Place of Publication |
Buenos Aires |
Editor |
Scaricaciottoli, Emiliano; Minore, Gito |
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no |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2158 |
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Author |
Caron, J.-P. |
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Title |
On the transcendental aesthetics of time stretching |
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Book Chapter |
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Year |
2017 |
Publication |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
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128-138 |
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Keywords |
Drone metal; Aesthetics |
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Publisher |
Void Front Press |
Place of Publication |
St. Louis |
Editor |
Coggins, Owen; Harris, James |
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Call Number |
UCM-CAM @ amaranta.saguar.garcia @ |
Serial |
2178 |
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