| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Thomas, Samuel |
The Devil's Party. Metal and Literature |
2022 |
The Routledge Companion to Music and Modern Literature |
|
406-415 |
| González-Martínez, Susana |
The didactic role of feminist art in metal music: Coven bands as a relational device for personal improvement and social justice |
2022 |
Metal Music Studies |
8 |
401-421 |
| Lukes, Daniel; Panayotov, Stanimir (eds) |
Black Metal Rainbows |
2021 |
|
|
400 |
| Rietveld, Hillegonda C.; Monroe, Alexei |
Gabber: Raising hell in technoculture |
2021 |
Metal Music Studies |
7 |
399-421 |
| Pichler, Peter |
Breaking the Law? Recht, Moral und Klang in der steirischen Heavy Metal-Szene seit 1980 |
2024 |
|
|
399 |
| Sikes, Laura |
In the Groove: American Rock Criticism, 1966-1978 |
2017 |
|
|
390 |
| Nevárez Araújo, Daniel; Varas-Díaz, Nelson; Wallach, Jeremy; Clinton, Esther |
Epilogue: Metal Unbound |
2023 |
Defiant Sounds. Heavy Metal Music in the Global South |
|
387-390 |
| Deacon, David |
“Another Version of the Truth”: The politics of affect and the externalization of threat in Trent Reznor’s Year Zero |
2021 |
Metal Music Studies |
7 |
383-397 |
| Thomson, Andrew; Thomson, Amanda M.E. |
Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band |
2022 |
Metal Music Studies |
8 |
381-400 |
| Dinali, Wescley |
Uma aliança: a morte... ...uma bricolagem morte/vida/vida/morte e e e |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
381-393 |
