| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Khalil, Lucas Martins Gama |
O Death Metal e a desnaturalização do demoníaco sob a perspectiva do ethos discursivo |
2021 |
Diálogos com a música extrema |
|
96-120 |
| Bogue, Ronald |
Violence in Three Shades of Metal : Death, Doom and Black |
2004 |
Deleuze and Music |
|
95-117 |
| Harrell, Jack |
The poetics of destruction: Death metal rock |
1994 |
Popular Music and Society |
18 |
91-103 |
| Lagos Chacón, Pedro Manuel |
The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
81-106 |
| Yavuz, M.Selim |
Reight Mardy Tykes: Northernness, Peaceville Three and Death/Doom Music World |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
81-99 |
| Kahn-Harris, Keith |
Death Metal and the Limits of Musical Expression |
2003 |
Policing pop |
|
81-99 |
| Phillipov, M. |
None so vile? Towards an ethics of Death Metal |
2006 |
Southern Review: Communication, Politics and Culture |
38 |
74-85 |
| Vasan, Sonia |
‘Den mothers’ and ‘band whores’: gender, sex and power in the death metal scene |
2010 |
Heavy fundametalisms: music, metal and politics |
|
67-77 |
| Silva, Melina Aparecida dos Santos; Sá, Simone Pereira de |
Duas pernas, um braço: a banda Katingation e sua apropriação do death metal no cenário pós-guerra civil angolano |
2014 |
Comunicação Mídia E Consumo |
11 |
65-81 |
| James, Kieran |
Policing Death. Indonesian Death Metal Music and Alleged or Apparent Criminality |
2023 |
Music in Crime, Resistance, and Identity |
|
52-62 |
