| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Harbert, Benjamin J. |
Noise and its formless shadows: Egypt’s extreme metal as avant-garde. Nafas Dawsha |
2013 |
The Arab Avant-Garde: Music, Politics, Modernity |
|
229-272 |
| Zaddach, Wolf-Georg |
»30 Jahre Ride The Lightning: So klingt unsere Tribute-CD«: Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal |
2014 |
Lied und Populäre Kultur; Münster |
59 |
227-241,293 |
| Norman, Joseph |
‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins |
2019 |
Metal Music Studies |
5 |
225-242 |
| Barchi, Rodrigo |
O que a Música Extrema tem a dizer às ecologias? |
2021 |
Diálogos com a música extrema |
|
221-246 |
| Khalil, Lucas Martins Gama |
Metal extremo enquanto prática discursiva: modos de difusão, vocação enunciativa e ritos genéticos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
221-244 |
| Wang, Yuan |
Formation, Industries, And Identities: Observations On Extreme Metal In Mainland China 2000-2013 |
2015 |
Modern Heavy Metal: Markets, Practices and Cultures |
|
219-229 |
| Samlhofer, Andreas |
Grindcore – eine ›extreme‹ Mutation des Metals? Zur Diskursivierung des Grindcore |
2011 |
”Metal matters”. Heavy Metal als Kultur und Welt |
|
207-224 |
| Campoy, Leonardo Carbonieri |
As revelações da escuridão: o show no underground do heavy metal extremo como um ritual |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
203-221 |
| Kahn-Harris, Keith |
”You are from Israel and that is enough to hate you forever”: racism, globalization, and play within the global extreme metal scene |
2011 |
Metal rules the globe: heavy metal music around the world |
|
200-227 |
| Burkhardt, Guga |
Arte extrema para olhos atentos |
2022 |
Música Extrema: ruídos, imagens e sentidos |
|
187-202 |
